A refreshing and vigorous account of seven female playwrights who, against all odds, enjoyed professional sucess in the late eighteenth and early nineteenth centuries.
A refreshing and vigorous account of seven female playwrights who, against all odds, enjoyed professional sucess in the late eighteenth and early nineteenth centuries.
Ellen Donkin teaches theatre at Hampshire College in Amherst, Massachusetts. She is the co-editor with Susan Clement of Upstaging Big Daddy: Directing Theater as if Gender and Race Matter and has written widely on issues of gender in theatre history and practice.
Inhaltsangabe
List of Illustrations List of Figures Acknowledgements Chapter One: Getting Into the Act Chapter Two: Frances Brooke: The Female Playwright as Critic Chapter Three: The Paper War of Hannah Cowley and Hannah More Chapter Four: Sophia Lee: Documenting the Post-Garrick Era Chapter Five: Advantage, Mrs Inchbald Chapter Six: Frnaces Burney and the Protection Racket Chapter Seven: Joanna Baillie vs. the Termites Bellicosus Chapter Eight: Afterpiece Notes Bibliography Index
List of Illustrations List of Figures Acknowledgements Chapter One: Getting Into the Act Chapter Two: Frances Brooke: The Female Playwright as Critic Chapter Three: The Paper War of Hannah Cowley and Hannah More Chapter Four: Sophia Lee: Documenting the Post-Garrick Era Chapter Five: Advantage, Mrs Inchbald Chapter Six: Frnaces Burney and the Protection Racket Chapter Seven: Joanna Baillie vs. the Termites Bellicosus Chapter Eight: Afterpiece Notes Bibliography Index
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