Catherine M. Cole is Associate Professor in the Department of Dramatic Art at the University of California, Santa Barbara. She has published numerous articles on African theatre and has collaborated with filmmaker Nathan Kwame Braun on "passing girl; riverside," a video essay on the ethical dilemmas of visual anthropology.
Catherine M. Cole is Associate Professor in the Department of Dramatic Art at the University of California, Santa Barbara. She has published numerous articles on African theatre and has collaborated with filmmaker Nathan Kwame Braun on "passing girl; riverside," a video essay on the ethical dilemmas of visual anthropology.
Catherine M. Cole is Associate Professor in the Department of Dramatic Art at the University of California, Santa Barbara. She has published numerous articles on African theatre and has collaborated with filmmaker Nathan Kwame Braun on "passing girl; riverside," a video essay on the ethical dilemmas of visual anthropology.
Inhaltsangabe
Preliminary Table of Contents: Acknowledgments Note on Orthography 1. Introduction 2. Reading Blackface in West Africa: Wonders Taken for Signs 3. "The Rowdy Lot Created the Usual Disturbance": Concerts and Emergent Publics, 1895-1927 4. "Ohia Ma Adwennwen," or "Use Your Gumption!": The Pragmatics of Performance, 1927- 1945 5. Improvising Popular Traveling Theatre: The Poetics of Invention 6. "This is Actually a Good Interpretation of Modern Civilization": Staging the Social Imaginary, 1946-1966 Notes Bibliography
Preliminary Table of Contents: Acknowledgments Note on Orthography 1. Introduction 2. Reading Blackface in West Africa: Wonders Taken for Signs 3. "The Rowdy Lot Created the Usual Disturbance": Concerts and Emergent Publics, 1895-1927 4. "Ohia Ma Adwennwen," or "Use Your Gumption!": The Pragmatics of Performance, 1927- 1945 5. Improvising Popular Traveling Theatre: The Poetics of Invention 6. "This is Actually a Good Interpretation of Modern Civilization": Staging the Social Imaginary, 1946-1966 Notes Bibliography
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