This book challenges conventional analyses of film policy as a stand-alone public policy confined within national boundaries, and usually focused on supports for film production. It book will be an important resource for scholars and students studying global film policy in the areas of film, media or creative industries, and business.
This book challenges conventional analyses of film policy as a stand-alone public policy confined within national boundaries, and usually focused on supports for film production. It book will be an important resource for scholars and students studying global film policy in the areas of film, media or creative industries, and business.
Ruby Cheung is Associate Professor in Film Studies at the University of Southampton, UK. John Hill is Professor of Media at Royal Holloway, University of London, UK. Nobuko Kawashima is Professor at the Faculty of Economics at Doshisha University, Japan. Paul McDonald is Professor of Media Industries at King's College London, UK.
Inhaltsangabe
Introduction: New perspectives on film policy 1. Tax incentives in the audiovisual landscape: The economic and the cultural 2. Accidents waiting to happen? Policies, practices, and pitfalls in keeping film and TV workers safe 3. Soft power, nation branding and public diplomacy 4. Regional futures, civilisational pasts: Unravelling the spacetime of Sino-Indian film co-production 5. Film policy, sociolinguistic politics and Chinese-language film industries 6. Between economic development and social inclusion: Film education and training policy in the UK and Europe 7. EDI film policies and their discontents 8. Rethinking cultural imperialism: The Ibermedia programme 9. UNESCO's convention for the protection and promotion of the diversity of cultural expressions: International obligations, local priorities 10. European film and television policy in the streaming era: Beyond the 2018 AVMSD Index
Introduction: New perspectives on film policy 1. Tax incentives in the audiovisual landscape: The economic and the cultural 2. Accidents waiting to happen? Policies, practices, and pitfalls in keeping film and TV workers safe 3. Soft power, nation branding and public diplomacy 4. Regional futures, civilisational pasts: Unravelling the spacetime of Sino-Indian film co-production 5. Film policy, sociolinguistic politics and Chinese-language film industries 6. Between economic development and social inclusion: Film education and training policy in the UK and Europe 7. EDI film policies and their discontents 8. Rethinking cultural imperialism: The Ibermedia programme 9. UNESCO's convention for the protection and promotion of the diversity of cultural expressions: International obligations, local priorities 10. European film and television policy in the streaming era: Beyond the 2018 AVMSD Index
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