This is an edited volume of music histories of peoples, places, and institutions that refuses to shy away from the geopolitical realities of a global musicology. With an ironic undertone to the elsewhere in the book s title, the volume s contributors grapple with the ethical and democratizing potentials of musicology s recent global turn. The book s primary objective is to center perspectives from outside the Euro-American mainstream to create a material difference to the frequent scarcity of non-Western scholarship in the Euro-American conception and practice of music studies. By bringing together a small group of scholars work in a more readily available space given by a sizable Anglo-American publisher, the book aims to enable more multidirectional exchanges and connections to take place in the future.
Bitte wählen Sie Ihr Anliegen aus.
Rechnungen
Retourenschein anfordern
Bestellstatus
Storno







