Gathers the essays that explore the diversity of global programming and approaches, and ask how to theorize contemporary global formats and thus re-shape our understanding of television as at once a shared global and specific local text, an economic system, a socio-political institution, and a popular practice. Looking to global television formats as vital for various cultural meanings, relationships, and structures, this collection shows how formats can further our understanding of television and the culture of globalization at large.
Gathers the essays that explore the diversity of global programming and approaches, and ask how to theorize contemporary global formats and thus re-shape our understanding of television as at once a shared global and specific local text, an economic system, a socio-political institution, and a popular practice.Looking to global television formats as vital for various cultural meanings, relationships, and structures, this collection shows how formats can further our understanding of television and the culture of globalization at large.
Tasha Oren is an Associate Professor of English and Media Studies, and is the Coordinator of the Media, Cinema, and Digital Studies track at the University of Wisconsin-Milwaukee. Sharon Shahaf is an Assistant Professor in the Department of Communication at Georgia State University.
Inhaltsangabe
Introduction: Television Formats--A Global Framework for TV Studies Tasha Oren and Sharon ShahafI. Format Theories and Global Television 1. More than Copycat Television: Format Adaptation as Performance Vinicius Navarro 2. Calling Out Around the World: The Global Appeal of Reality Dance Formats Dana Heller 3. Television Formats and Contemporary Sports Tony Schiarto 4. A Political Economy of Formatted Pleasure Eddie Brennan 5. Interpreting Cubanness, Americanness, and the Sitcom: WPBT-PBS's Que Pasa USA?Yeidy M. RiveroII. Transnational Formats: Historical Perspectives 6. From Discrete Adaptations to Hard Copies: The Rise of Formats in European Television Jerome Bourdon 7. "National Mike": Global Host and Global Formats in Early Italian Television Chiara Ferrari 8. Telenovelas in Brazil: From Traveling Scripts to a Genre and Proto-Format both National and Transnational Joseph Straubhaar 9. Reversal of Fortune? Hollywood Faces New Competition in Global Media Trade Paul TorreIII. Case Study: The Idol Franchise 10. Idol Worship: Ethnicity and Difference in Global Television Biswarup Sen 11. NZ Idol: Nation Building through Format Adaptation Joost De Bruin 12. Global Television Formats in Africa--Localizing IdolsMartin Nkosi Ndlela 13. We Are the World: American Idol's Global Self-Posturing Erica Jean Bochanty-AgueroIV. Trans-Formats: Local Articulations and the Politics of Place and Nation 14. The Social and Political Dimensions of Global Television Formats: Reality Television in Lebanon and Saudi Arabia Marwin M. Kraidy 15. A Revolution in Television and a Great Leap Forward for Innovation? China in the Global Television Format Business Michael Keane 16. Global Television Formats and the Political Economy of Cultural Adaptation: Who Wants to Be a Millionaire in India Lauhona Ganguly 17. Global Franchising, Gender, and Genre: The Case of Domestic Reality Television Sharon Sharp 18. Reiterational Texts and Global Imagination: Television Strikes Back Tasha Oren
Introduction: Television Formats--A Global Framework for TV Studies Tasha Oren and Sharon ShahafI. Format Theories and Global Television 1. More than Copycat Television: Format Adaptation as Performance Vinicius Navarro 2. Calling Out Around the World: The Global Appeal of Reality Dance Formats Dana Heller 3. Television Formats and Contemporary Sports Tony Schiarto 4. A Political Economy of Formatted Pleasure Eddie Brennan 5. Interpreting Cubanness, Americanness, and the Sitcom: WPBT-PBS's Que Pasa USA?Yeidy M. RiveroII. Transnational Formats: Historical Perspectives 6. From Discrete Adaptations to Hard Copies: The Rise of Formats in European Television Jerome Bourdon 7. "National Mike": Global Host and Global Formats in Early Italian Television Chiara Ferrari 8. Telenovelas in Brazil: From Traveling Scripts to a Genre and Proto-Format both National and Transnational Joseph Straubhaar 9. Reversal of Fortune? Hollywood Faces New Competition in Global Media Trade Paul TorreIII. Case Study: The Idol Franchise 10. Idol Worship: Ethnicity and Difference in Global Television Biswarup Sen 11. NZ Idol: Nation Building through Format Adaptation Joost De Bruin 12. Global Television Formats in Africa--Localizing IdolsMartin Nkosi Ndlela 13. We Are the World: American Idol's Global Self-Posturing Erica Jean Bochanty-AgueroIV. Trans-Formats: Local Articulations and the Politics of Place and Nation 14. The Social and Political Dimensions of Global Television Formats: Reality Television in Lebanon and Saudi Arabia Marwin M. Kraidy 15. A Revolution in Television and a Great Leap Forward for Innovation? China in the Global Television Format Business Michael Keane 16. Global Television Formats and the Political Economy of Cultural Adaptation: Who Wants to Be a Millionaire in India Lauhona Ganguly 17. Global Franchising, Gender, and Genre: The Case of Domestic Reality Television Sharon Sharp 18. Reiterational Texts and Global Imagination: Television Strikes Back Tasha Oren
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