Introduction Hans Schulte Part I. Modernity: 1. Faust - today Albrecht Schöne 2. Mephisto and the modernization of evil Rolf-Peter Janz 3. Mephisto is the devil - or is he? Peter Huber 4. 'Schwankende Gestalten': virtuality in Goethe's Faust Ulrich Gaier 5. Amnesia and anamnesis in Goethe's Faust Wolf-Daniel Hartwich 6. Cagliostro and Saint-Simon in Goethe's Faust II Hans-Jürgen Schings 7. Faust's blindness Eberhard Lämmert 8. From Faust to Harry Potter: discourses of the centaurs Gisela Brude-Firnau 9. Mistra and the Peloponnes in Goethe's Faust II Wilhelm Blum 10. Goethe and the grotesque: the 'classical Walpurgis night' Angela Borchert 11. Redefining classicism: antiquity in Faust II Ernst Osterkamp 12. Mephisto, the angels, and the homoerotic in Faust II W. Daniel Wilson Part II. Theatre: 13. Goethe's Faust: theatre, meta-theatre, tragedy Martin Swales 14. Faust beyond tragedy: hidden comedy, covert opera Dieter Borchmeyer 15. Theatricality and experiment: identity in Faust Jane Brown 16. Rhetorical action: Faust between rhetoric, poetics, and music Helmut Schanze 17. Directing Faust: an interview Peter Stein 18. A contradictory whole: Peter Stein stages Faust Dirk Pilz 19. Rethinking and staging Faust at the State Theatre Stuttgart, 2005/6 Jörg Bochow 20. Strehler's Faust in performance Laura Caretti Select bibliography.
Introduction Hans Schulte Part I. Modernity: 1. Faust - today Albrecht Schöne 2. Mephisto and the modernization of evil Rolf-Peter Janz 3. Mephisto is the devil - or is he? Peter Huber 4. 'Schwankende Gestalten': virtuality in Goethe's Faust Ulrich Gaier 5. Amnesia and anamnesis in Goethe's Faust Wolf-Daniel Hartwich 6. Cagliostro and Saint-Simon in Goethe's Faust II Hans-Jürgen Schings 7. Faust's blindness Eberhard Lämmert 8. From Faust to Harry Potter: discourses of the centaurs Gisela Brude-Firnau 9. Mistra and the Peloponnes in Goethe's Faust II Wilhelm Blum 10. Goethe and the grotesque: the 'classical Walpurgis night' Angela Borchert 11. Redefining classicism: antiquity in Faust II Ernst Osterkamp 12. Mephisto, the angels, and the homoerotic in Faust II W. Daniel Wilson Part II. Theatre: 13. Goethe's Faust: theatre, meta-theatre, tragedy Martin Swales 14. Faust beyond tragedy: hidden comedy, covert opera Dieter Borchmeyer 15. Theatricality and experiment: identity in Faust Jane Brown 16. Rhetorical action: Faust between rhetoric, poetics, and music Helmut Schanze 17. Directing Faust: an interview Peter Stein 18. A contradictory whole: Peter Stein stages Faust Dirk Pilz 19. Rethinking and staging Faust at the State Theatre Stuttgart, 2005/6 Jörg Bochow 20. Strehler's Faust in performance Laura Caretti Select bibliography.
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