This book analyses the diverse historical and geographical circumstances in which audiences have viewed American cinema. It looks at cinema audiences ranging from Manhattan nickelodeons to the modern suburban megaplex, and from provincial, small-town or rural America to the shanty towns of South Africa.
This book analyses the diverse historical and geographical circumstances in which audiences have viewed American cinema. It looks at cinema audiences ranging from Manhattan nickelodeons to the modern suburban megaplex, and from provincial, small-town or rural America to the shanty towns of South Africa.
Richard Maltby is professor of screen studies at Flinders University, South Australia and series editor for Exeter Studies in Film History. Melvyn Stokes teaches at University College, London. Robert C. Allen is professor of American studies, history, and communications at the University of North Carolina at Chapel Hill.
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