Falling in love with her first love wasn’t part of her plan. Helping her kill the Hollywood elite wasn’t part of his. LIMITED FIRST PRINT RUN—featuring sprayed edges with an inside cover design. Only available for a limited time and while supplies last. Hollywood loves a comeback. Too bad Evie Reyes didn’t come back to play nice. Five years ago, she watched her mother—an iconic Final Girl—die on the set of Simon Says. Now, she’s back on the same studio lot, cast as the lead in the reboot no one asked for. But Evie’s not here for fame. She’s here for revenge—and she’s got six names on her list.…mehr
Falling in love with her first love wasn’t part of her plan. Helping her kill the Hollywood elite wasn’t part of his. LIMITED FIRST PRINT RUN—featuring sprayed edges with an inside cover design. Only available for a limited time and while supplies last. Hollywood loves a comeback. Too bad Evie Reyes didn’t come back to play nice. Five years ago, she watched her mother—an iconic Final Girl—die on the set of Simon Says. Now, she’s back on the same studio lot, cast as the lead in the reboot no one asked for. But Evie’s not here for fame. She’s here for revenge—and she’s got six names on her list. Sebastian Shaw is Hollywood’s golden boy, a walking six-pack with just enough charm to disguise the fact that he’s a professional liar. He also happens to be Evie’s ex. When he finds out why she’s really back, he doesn’t try to stop her. He offers a deal: he’ll get her access to each of the men she wants to confront—in exchange for six chances to sleep with her. No feelings. No strings. Definitely no dates. As bodies pile up and the on-set accidents get harder to explain away, Evie walks a razor-thin line between staying alive and getting justice. And Sebastian? He might be the only person who sees her clearly—and the one person she can’t afford to trust. This Final Girl isn’t just surviving—she’s stealing the whole damn show
Tylor Paige (she/her) is an Amazon Top 3 bestselling author of what her readers have lovingly labeled, whorror. Tylor is proof that horror doesn’t have to be serious to be effective. It can be self-aware, playful, and at times romantic, while still telling a solid scary story. In blending her passions for both romance and horror she’s not only creating something that’s both risqué and bloody, she’s bridging the gap between the hopelessly romantic and the hopelessly haunted.
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