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THE GOSPEL OF REGICIDE takes the Gnostic text The Gospel of Judas as a loose primer in the production of fundamental rupture. The book interrogates the construction of insurrection predicated on a designed/planned treachery. It takes seriously the disconcerting claim that our current political narratives rely on biblical meaning.

Produktbeschreibung
THE GOSPEL OF REGICIDE takes the Gnostic text The Gospel of Judas as a loose primer in the production of fundamental rupture. The book interrogates the construction of insurrection predicated on a designed/planned treachery. It takes seriously the disconcerting claim that our current political narratives rely on biblical meaning.
Autorenporträt
Eunsong Kim is an Associate Professor in the Department of English at Northeastern University. Her practice spans: literary studies, critical digital studies, poetics, translation, visual culture and critical race & ethnic studies. Her writings have appeared in: Lateral: Journal of the Cultural Studies Association, Journal of Critical Library and Information Studies, and in the book anthologies, Deep Fakes from the Algorithm's & Society series, Poetics of Social Engagement and Reading Modernism with Machines. Her poetry has appeared in the Brooklyn Magazine, The Iowa Review , Minnesota Review amongst others. She is the author of gospel of regicide , published by Noemi Press in 2017, and with Sung Gi Kim she translated Kim Eon Hee's poetic text Have You Been Feeling Blue These Days? published in 2019. Her forthcoming academic monograph, The Politics of Collecting: Race & the Aestheticization of Property (Duke University Press 2024) materializes the histories of immaterialism by examining the rise of US museums, avant-garde forms, digitization, and neoliberal aesthetics, to consider how race and property become foundational to modern artistic institutions. She is the recipient of the Ford Foundation Fellowship, a grant from the Andy Warhol Art Writers Program, and Yale's Poynter Fellowship.