The new edition of Grammar of the Shot teaches readers theoretical principles behind successful visual communication in motion media through discussions of shot composition, depth cues, lens choices, lighting, screen direction, and more. Designed as an easy-to-use reference, this book is a staple of any filmmaker's library.
The new edition of Grammar of the Shot teaches readers theoretical principles behind successful visual communication in motion media through discussions of shot composition, depth cues, lens choices, lighting, screen direction, and more. Designed as an easy-to-use reference, this book is a staple of any filmmaker's library.
Christopher J. Bowen has 25 years of experience within the motion media industry as a cinematographer, editor, director, producer, and educator. Currently, he enjoys visual content creation, fine arts painting, and writing fiction. He is the author of the companion text, Grammar of the Edit.
Inhaltsangabe
1. The Shots: What How and Why? 2. Basic Motion Media Shot Composition 3. Shot Composition for Depth Perspective and Focus 4. Lighting Your Shots: Not Just What You See but How You See It 5. Will It Cut? Shooting for Editing 6. Dynamic Shots: Subjects and Camera in Motion 7. Concluding Thoughts: A Filmmaker's Mindset
1. The Shots: What How and Why? 2. Basic Motion Media Shot Composition 3. Shot Composition for Depth Perspective and Focus 4. Lighting Your Shots: Not Just What You See but How You See It 5. Will It Cut? Shooting for Editing 6. Dynamic Shots: Subjects and Camera in Motion 7. Concluding Thoughts: A Filmmaker's Mindset
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