Introduction: The Role of Graphic Devices in Understanding the Early
Decorated Book "In the Image and Likeness of God": The Dedication Monogram
in the Calendar of 354 and Early Medieval Monogrammatic Initials - Ildar
Garipzanov 'Character' and the Power of the Letter - David Ganz Tangled
Voices: Writing, Drawing and the Anglo-Saxon Decorated Initial - Catherine
E. Karkov Graphic Visualization in Liturgical Manuscripts in the Early
Middle Ages: The Initial "O" in the Sacramentary of Gellone - Eric Palazzo
Graphic Quire Marks and Qur'anic Verse Markers in Frankish and Islamic
manuscripts from the Seventh and Eighth Centuries - Lawrence Nees The
Graphic Cross as Salvific Mark and Organizing Principle: Making, Marking,
Shaping - Cynthia Hahn The Visual Rhetoric of Insular Decorated Incipit
Openings - Michelle Brown The Relationship between Letter and Frame in
Insular and Carolingian Manuscripts - Tina Bawden Patterns of Meaning in
Insular Manuscripts: folio 183r in the Book of Kells - Benjamin C. Tilghman
Graphic and Figural Representation in Touronian Gospel Illumination -
Beatrice Kitzinger Meaning from the Margins: Graphic Signs, Frames and
Initials in a ninth-century Byzantine Manuscript - Leslie Brubaker An
Exercise in Extravagance and Abundance: Some Thoughts on the Marginalia
Decorata in the Codex Parasinus graecus 216 - Kallirroe Linardou The Cross
on the Book: Diagram, Ornament, Materiality - David Ganz Graphic Glosses
and Argumentative Ornament - Herbert Kessler Bibliography
