Focusing on the art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Nikki A. Greene examines how Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture.
Focusing on the art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Nikki A. Greene examines how Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture.
Nikki A. Greene is Associate Professor of Art History at Wellesley College.
Inhaltsangabe
List of Illustrations vii Acknowledgments xiii Prelude. The Cadences of Black Art 1 Verse One. RenÉe Stout. Fetishes Fetish #2 20 I Can Heal 54 Point of View 68 Verse Two. Radcliffe Bailey. Soundscapes Pullman 84 Transbluesency 104 Windward Coast 120 Verse Three. MarÍa Magdalena Campos-Pons. Identities Habla Iamadre 137 Alchemy of the Soul 164 Identified 186 Coda. Drawn to this Blackness 197 Notes 211 Bibliography 233 Index
List of Illustrations vii Acknowledgments xiii Prelude. The Cadences of Black Art 1 Verse One. RenÉe Stout. Fetishes Fetish #2 20 I Can Heal 54 Point of View 68 Verse Two. Radcliffe Bailey. Soundscapes Pullman 84 Transbluesency 104 Windward Coast 120 Verse Three. MarÍa Magdalena Campos-Pons. Identities Habla Iamadre 137 Alchemy of the Soul 164 Identified 186 Coda. Drawn to this Blackness 197 Notes 211 Bibliography 233 Index
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