Mark Thornton Burnett is Professor of Renaissance Studies at Queen's University Belfast, UK. His books include Shakespeare and World Cinema (2013), 'Hamlet' and World Cinema (2019), Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture (2002) and Filming Shakespeare in the Global Marketplace (2007; 2nd ed. 2012). He is series editor of the Arden Shakespeare series Shakespeare and Adaptation.
Inhaltsangabe
1. Hamlet, cinema and the histories of Western Europe 2. Thematising place: Hamlet, cinema and Africa 3. Hamlet and the moment of Brazilian cinema 4. Pairing the cinematic Prince: Hamlet, China and Japan 5. Hamlet and Indian cinemas: regional paradigms 6. Gendering borders: Hamlet and the cinemas of Turkey and Iran 7. Materialising Hamlet in the cinemas of Russia, Central and Eastern Europe.
1. Hamlet, cinema and the histories of Western Europe 2. Thematising place: Hamlet, cinema and Africa 3. Hamlet and the moment of Brazilian cinema 4. Pairing the cinematic Prince: Hamlet, China and Japan 5. Hamlet and Indian cinemas: regional paradigms 6. Gendering borders: Hamlet and the cinemas of Turkey and Iran 7. Materialising Hamlet in the cinemas of Russia, Central and Eastern Europe.
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