Handmaid's Tale
Teaching Dystopia, Feminism, and Resistance Across Disciplines and Borders
Herausgeber: Ritzenhoff, Karen A.; Goldie, Janis
Handmaid's Tale
Teaching Dystopia, Feminism, and Resistance Across Disciplines and Borders
Herausgeber: Ritzenhoff, Karen A.; Goldie, Janis
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This collection analyzes how their disciplines can add unique depth and context to many of the themes that are being mobilized in Atwood's The Handmaid's Tale and its screen adaptations. Contributors address how these themes apply to social issues and specific topics such as science and religion to the role of journalism in a democratic society.
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This collection analyzes how their disciplines can add unique depth and context to many of the themes that are being mobilized in Atwood's The Handmaid's Tale and its screen adaptations. Contributors address how these themes apply to social issues and specific topics such as science and religion to the role of journalism in a democratic society.
Produktdetails
- Produktdetails
- Verlag: Lexington Books
- Seitenzahl: 328
- Erscheinungstermin: 6. Juni 2019
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 627g
- ISBN-13: 9781498589147
- ISBN-10: 1498589146
- Artikelnr.: 55315838
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Lexington Books
- Seitenzahl: 328
- Erscheinungstermin: 6. Juni 2019
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 627g
- ISBN-13: 9781498589147
- ISBN-10: 1498589146
- Artikelnr.: 55315838
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Karen A. Ritzenhoff is professor in the Department of Communication at Central Connecticut State University. Janis L. Goldie is associate professor and chair of the Department of Communication Studies at Huntington/Laurentian University.
Chapter 1: The Handmaid's Tale as a Teaching Tool for Engaging Students in
Colonial American History and Puritanism
Chapter 2: Translation and Adaptation Matters: About the Differences
Between a Story Called The Handmaid's Tale or The Slave-girl's Tale?
Chapter 3:Jezebel's: Sex and Marriage in Early Christian Theology
Chapter 4:Literary Narration, Complicity, and Political Dystopia in
Margaret Atwood's The Handmaid's Tale
Chapter 5: "You don't know what we had to go through:" Feminist Generations
in The Handmaid's Tale
Chapter 6: "Don't Let the Bastards Grind you Down"-Again: Returning to The
Handmaid's Tale
Chapter 7:Consent, Power, and Sexual Assault in The Handmaid's Tale:
Handmaids, Sexual Slavery and Victim Blaming
Chapter 8:Advancing Student Understanding of Rape Culture: The Handmaid's
Tale as a Tool in the Primary Prevention of Sexual Assault on College
Campuses
Chapter 9:Fertility and Fetal Containers: Science, Religion, and The
Handmaid's Tale
Chapter 10: "I'm Ravenous for News": Using The Handmaid's Tale to Explore
the Role of Journalism
Chapter 11: Women's Health in The Handmaid's Tale and the Marginalization
of Women
Chapter 12: Resist!: Racism and Sexism in The Handmaid's Tale
Chapter 13: Erasing Race in The Handmaid's Tale
Chapter 14: Women, Complicity and The Handmaid's Tale
Chapter 15:"Discards, All of Us": Representations of Age in The Handmaid's
Tale
Chapter 16: No Light Without Shadow: The Question of Realism in Volker
Schlöndorff's The
Handmaid's Tale and Hulu's TV Series
Chapter 17: Shifting Perspectives and Re-accentuation: Adapting The
Handmaid's Tale as Film in 1990 and as a Hulu TV Series in 2017/2018
Chapter 18: The Handmaid's Tale: The Optics of Dystopia
Chapter 19: Offred's Journey Through Gilead: Subverting Oppositional
Discourse Through First Person Performed Narrative
Chapter 20: The Artist and Her Art: An Examination of Elisabeth Moss as
Peggy Olson and June Osborne through a Feminist Lens
Chapter 21: 'The Magical Land of the North': Anti-Americanism and Canadian
Identity within The Handmaid's Tale
Chapter 22:Suffering Motherhood and Woman's Empowerment: Comparing
Metropolis (1927) and The Handmaid's Tale (2017)
Chapter 23: 'Topia' Extended: "Historical" Judgment of The Handmaid's Tale
Colonial American History and Puritanism
Chapter 2: Translation and Adaptation Matters: About the Differences
Between a Story Called The Handmaid's Tale or The Slave-girl's Tale?
Chapter 3:Jezebel's: Sex and Marriage in Early Christian Theology
Chapter 4:Literary Narration, Complicity, and Political Dystopia in
Margaret Atwood's The Handmaid's Tale
Chapter 5: "You don't know what we had to go through:" Feminist Generations
in The Handmaid's Tale
Chapter 6: "Don't Let the Bastards Grind you Down"-Again: Returning to The
Handmaid's Tale
Chapter 7:Consent, Power, and Sexual Assault in The Handmaid's Tale:
Handmaids, Sexual Slavery and Victim Blaming
Chapter 8:Advancing Student Understanding of Rape Culture: The Handmaid's
Tale as a Tool in the Primary Prevention of Sexual Assault on College
Campuses
Chapter 9:Fertility and Fetal Containers: Science, Religion, and The
Handmaid's Tale
Chapter 10: "I'm Ravenous for News": Using The Handmaid's Tale to Explore
the Role of Journalism
Chapter 11: Women's Health in The Handmaid's Tale and the Marginalization
of Women
Chapter 12: Resist!: Racism and Sexism in The Handmaid's Tale
Chapter 13: Erasing Race in The Handmaid's Tale
Chapter 14: Women, Complicity and The Handmaid's Tale
Chapter 15:"Discards, All of Us": Representations of Age in The Handmaid's
Tale
Chapter 16: No Light Without Shadow: The Question of Realism in Volker
Schlöndorff's The
Handmaid's Tale and Hulu's TV Series
Chapter 17: Shifting Perspectives and Re-accentuation: Adapting The
Handmaid's Tale as Film in 1990 and as a Hulu TV Series in 2017/2018
Chapter 18: The Handmaid's Tale: The Optics of Dystopia
Chapter 19: Offred's Journey Through Gilead: Subverting Oppositional
Discourse Through First Person Performed Narrative
Chapter 20: The Artist and Her Art: An Examination of Elisabeth Moss as
Peggy Olson and June Osborne through a Feminist Lens
Chapter 21: 'The Magical Land of the North': Anti-Americanism and Canadian
Identity within The Handmaid's Tale
Chapter 22:Suffering Motherhood and Woman's Empowerment: Comparing
Metropolis (1927) and The Handmaid's Tale (2017)
Chapter 23: 'Topia' Extended: "Historical" Judgment of The Handmaid's Tale
Chapter 1: The Handmaid's Tale as a Teaching Tool for Engaging Students in
Colonial American History and Puritanism
Chapter 2: Translation and Adaptation Matters: About the Differences
Between a Story Called The Handmaid's Tale or The Slave-girl's Tale?
Chapter 3:Jezebel's: Sex and Marriage in Early Christian Theology
Chapter 4:Literary Narration, Complicity, and Political Dystopia in
Margaret Atwood's The Handmaid's Tale
Chapter 5: "You don't know what we had to go through:" Feminist Generations
in The Handmaid's Tale
Chapter 6: "Don't Let the Bastards Grind you Down"-Again: Returning to The
Handmaid's Tale
Chapter 7:Consent, Power, and Sexual Assault in The Handmaid's Tale:
Handmaids, Sexual Slavery and Victim Blaming
Chapter 8:Advancing Student Understanding of Rape Culture: The Handmaid's
Tale as a Tool in the Primary Prevention of Sexual Assault on College
Campuses
Chapter 9:Fertility and Fetal Containers: Science, Religion, and The
Handmaid's Tale
Chapter 10: "I'm Ravenous for News": Using The Handmaid's Tale to Explore
the Role of Journalism
Chapter 11: Women's Health in The Handmaid's Tale and the Marginalization
of Women
Chapter 12: Resist!: Racism and Sexism in The Handmaid's Tale
Chapter 13: Erasing Race in The Handmaid's Tale
Chapter 14: Women, Complicity and The Handmaid's Tale
Chapter 15:"Discards, All of Us": Representations of Age in The Handmaid's
Tale
Chapter 16: No Light Without Shadow: The Question of Realism in Volker
Schlöndorff's The
Handmaid's Tale and Hulu's TV Series
Chapter 17: Shifting Perspectives and Re-accentuation: Adapting The
Handmaid's Tale as Film in 1990 and as a Hulu TV Series in 2017/2018
Chapter 18: The Handmaid's Tale: The Optics of Dystopia
Chapter 19: Offred's Journey Through Gilead: Subverting Oppositional
Discourse Through First Person Performed Narrative
Chapter 20: The Artist and Her Art: An Examination of Elisabeth Moss as
Peggy Olson and June Osborne through a Feminist Lens
Chapter 21: 'The Magical Land of the North': Anti-Americanism and Canadian
Identity within The Handmaid's Tale
Chapter 22:Suffering Motherhood and Woman's Empowerment: Comparing
Metropolis (1927) and The Handmaid's Tale (2017)
Chapter 23: 'Topia' Extended: "Historical" Judgment of The Handmaid's Tale
Colonial American History and Puritanism
Chapter 2: Translation and Adaptation Matters: About the Differences
Between a Story Called The Handmaid's Tale or The Slave-girl's Tale?
Chapter 3:Jezebel's: Sex and Marriage in Early Christian Theology
Chapter 4:Literary Narration, Complicity, and Political Dystopia in
Margaret Atwood's The Handmaid's Tale
Chapter 5: "You don't know what we had to go through:" Feminist Generations
in The Handmaid's Tale
Chapter 6: "Don't Let the Bastards Grind you Down"-Again: Returning to The
Handmaid's Tale
Chapter 7:Consent, Power, and Sexual Assault in The Handmaid's Tale:
Handmaids, Sexual Slavery and Victim Blaming
Chapter 8:Advancing Student Understanding of Rape Culture: The Handmaid's
Tale as a Tool in the Primary Prevention of Sexual Assault on College
Campuses
Chapter 9:Fertility and Fetal Containers: Science, Religion, and The
Handmaid's Tale
Chapter 10: "I'm Ravenous for News": Using The Handmaid's Tale to Explore
the Role of Journalism
Chapter 11: Women's Health in The Handmaid's Tale and the Marginalization
of Women
Chapter 12: Resist!: Racism and Sexism in The Handmaid's Tale
Chapter 13: Erasing Race in The Handmaid's Tale
Chapter 14: Women, Complicity and The Handmaid's Tale
Chapter 15:"Discards, All of Us": Representations of Age in The Handmaid's
Tale
Chapter 16: No Light Without Shadow: The Question of Realism in Volker
Schlöndorff's The
Handmaid's Tale and Hulu's TV Series
Chapter 17: Shifting Perspectives and Re-accentuation: Adapting The
Handmaid's Tale as Film in 1990 and as a Hulu TV Series in 2017/2018
Chapter 18: The Handmaid's Tale: The Optics of Dystopia
Chapter 19: Offred's Journey Through Gilead: Subverting Oppositional
Discourse Through First Person Performed Narrative
Chapter 20: The Artist and Her Art: An Examination of Elisabeth Moss as
Peggy Olson and June Osborne through a Feminist Lens
Chapter 21: 'The Magical Land of the North': Anti-Americanism and Canadian
Identity within The Handmaid's Tale
Chapter 22:Suffering Motherhood and Woman's Empowerment: Comparing
Metropolis (1927) and The Handmaid's Tale (2017)
Chapter 23: 'Topia' Extended: "Historical" Judgment of The Handmaid's Tale







