This book describes Memlingâ s breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole. Text in English and Dutch.
This book describes Memlingâ s breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole. Text in English and Dutch.
Anna Koopstra (b. 1980) previously worked at the Suermondt-Ludwig Museum in Aachen, The Metropolitan Museum of Art in New York and The National Gallery in London. She also worked as a guest curator for Museum Helmond and as a researcher at the World Museum in Rotterdam, among other places. Koopstra studied art history at the University of Groningen, where she specialized in 15th-century painting in the Southern Netherlands and wrote a thesis on material research on the oeuvre of Jan van Eyck. She received her doctorate from The Courtauld Institute of Art in London in 2016 with a dissertation on the early 16th-century artist Jean Bellegambe.
Inhaltsangabe
10 Introduction 14 Hans Memling (active 1465–1494) 20 Triptych of John the Baptist and John the Evangelist (St John Altarpiece) 44 St John’s Hospital: From the twelfth to the twenty-first century 55 Painting in the Burgundian Netherlands 64 Annunciation 72 St Ursula Shrine 97 Bruges and the world, 1450–1500 104 Memling’s patrons 112 Triptych with Sts Christopher, Maurus and Giles (Moreel Triptych) 127 Memling then and now 132 Triptych with the Adoration of the Magi (Floreins Triptych) 146 Triptych with the Lamentation of Christ (Reins Triptych) 161 ‘The most accomplished and excellent painter of the whole Christian world’ 167 Memling as portrait painter 172 Diptych of Maarten van Nieuwenhove 184 Portrait of a Young Woman or Sibylla Sambetha 190 Donor Portrait of Francisco (?) de Rojas 198 Conclusion 202 Further reading
10 Introduction 14 Hans Memling (active 1465–1494) 20 Triptych of John the Baptist and John the Evangelist (St John Altarpiece) 44 St John’s Hospital: From the twelfth to the twenty-first century 55 Painting in the Burgundian Netherlands 64 Annunciation 72 St Ursula Shrine 97 Bruges and the world, 1450–1500 104 Memling’s patrons 112 Triptych with Sts Christopher, Maurus and Giles (Moreel Triptych) 127 Memling then and now 132 Triptych with the Adoration of the Magi (Floreins Triptych) 146 Triptych with the Lamentation of Christ (Reins Triptych) 161 ‘The most accomplished and excellent painter of the whole Christian world’ 167 Memling as portrait painter 172 Diptych of Maarten van Nieuwenhove 184 Portrait of a Young Woman or Sibylla Sambetha 190 Donor Portrait of Francisco (?) de Rojas 198 Conclusion 202 Further reading
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