Happy Days investigates how 1970s popular culture was obsessed with America’s past, but offered radically different interpretations of the same historical events and icons. Looking at representations of 1950s teenagers, the noir detective, America’s bicentennial, and neo-slave narratives, Benjamin Alpers examines how American history provoked both nostalgia and deep soul searching.
Happy Days investigates how 1970s popular culture was obsessed with America’s past, but offered radically different interpretations of the same historical events and icons. Looking at representations of 1950s teenagers, the noir detective, America’s bicentennial, and neo-slave narratives, Benjamin Alpers examines how American history provoked both nostalgia and deep soul searching.
BENJAMIN L. ALPERS is a Reach for Excellence Associate Professor of History in the Honors College at the University of Oklahoma. He is the author of Dictators, Democracy, and American Public Culture: Envisioning the Totalitarian Enemy, 1920s–1950s.
Inhaltsangabe
Introduction 1. "Where Were You in '62?": The Long Fifties and Nostalgia in Seventies Culture 2. Rip van Marlowe: Seventies Noir and the Pre-Sixties Past 3. "A Committee of 215 Million People": Celebrating the Bicentennial in the Wake of the Sixties 4. Family Stories and the African American Past in Alex Haley's Roots and Octavia Butler's Kindred Afterword Acknowledgments Bibliography Index
Introduction 1. "Where Were You in '62?": The Long Fifties and Nostalgia in Seventies Culture 2. Rip van Marlowe: Seventies Noir and the Pre-Sixties Past 3. "A Committee of 215 Million People": Celebrating the Bicentennial in the Wake of the Sixties 4. Family Stories and the African American Past in Alex Haley's Roots and Octavia Butler's Kindred Afterword Acknowledgments Bibliography Index
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