Through an empirical, multi-archival study of a transnational foundation—the Harvard-Yenching Institute (HYI) from the 1920s to the early 1950s—this book presents the story of transplanting Western/American humanities scholarship into Asia/China and addresses central questions in U.S.-China relations.
Through an empirical, multi-archival study of a transnational foundation—the Harvard-Yenching Institute (HYI) from the 1920s to the early 1950s—this book presents the story of transplanting Western/American humanities scholarship into Asia/China and addresses central questions in U.S.-China relations.
Shuhua Fan is associate professor in history at the University of Scranton.
Inhaltsangabe
Introduction: Understanding a Transnational Cultural Project Chapter 1: Creating a Transnational Institution (1924-1928) Chapter 2: The Project Successfully Launched (1928-1937) Chapter 3: Operating under Wartime Adversity (1937-1945) Chapter 4: Frustrated Dreams of Recovering Chinese humanities (1945-1949) Chapter 5: The End of an American Enterprise in China (1949-1951) Conclusion: The HYI's Cultural Engineering as a Bridge between East and West
Introduction: Understanding a Transnational Cultural Project Chapter 1: Creating a Transnational Institution (1924-1928) Chapter 2: The Project Successfully Launched (1928-1937) Chapter 3: Operating under Wartime Adversity (1937-1945) Chapter 4: Frustrated Dreams of Recovering Chinese humanities (1945-1949) Chapter 5: The End of an American Enterprise in China (1949-1951) Conclusion: The HYI's Cultural Engineering as a Bridge between East and West
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