A compilation of seminal works by Robert Morris, influential artist and critic, a key figure in Minimalist sculpture, Process Art, and Earthworks. "Robert Morris is one of the most important postwar American artists. "Have I Reasons" is a valuable resource for an understanding and reconsideration of his work and the postwar neo-avant-garde production in which it played such a pivotal role. Compared to his seminal earlier writings, those from the 1990s and beyond collected here are more insistently autobiographical, more overtly and straightforwardly political. This transformation is one…mehr
A compilation of seminal works by Robert Morris, influential artist and critic, a key figure in Minimalist sculpture, Process Art, and Earthworks."Robert Morris is one of the most important postwar American artists. "Have I Reasons" is a valuable resource for an understanding and reconsideration of his work and the postwar neo-avant-garde production in which it played such a pivotal role. Compared to his seminal earlier writings, those from the 1990s and beyond collected here are more insistently autobiographical, more overtly and straightforwardly political. This transformation is one that, at least in part, reflects a transformation in his visual art."--Branden W. Joseph, author of "Random Order: Robert Rauschenberg and the Neo-Avant-Garde"
Robert Morris (b. 1931) is Distinguished Professor of Art History at Hunter College, The City University of New York. His art has been shown around the world, including in retrospectives at the Whitney Museum of American Art, the Art Institute of Chicago, the Solomon R. Guggenheim Museum, the Deichtorhallen in Hamburg, the Centre Georges Pompidou in Paris, and the Centro per l’arte contemporanea Luigi Pecci in Prato. He has been widely published in periodicals including Artforum, Critical Inquiry, Art in America, and October. His essays from the 1960s through the 1980s are collected in Continuous Project Altered Daily. Nena Tsouti-Schillinger is an art historian and art critic. She is the author of Robert Morris and Angst. Robert Morris (b. 1931) is Distinguished Professor of Art History at Hunter College, The City University of New York. His art has been shown around the world, including in retrospectives at the Whitney Museum of American Art, the Art Institute of Chicago, the Solomon R. Guggenheim Museum, the Deichtorhallen in Hamburg, the Centre Georges Pompidou in Paris, and the Centro per l’arte contemporanea Luigi Pecci in Prato. He has been widely published in periodicals including Artforum, Critical Inquiry, Art in America, and October. His essays from the 1960s through the 1980s are collected in Continuous Project Altered Daily. Nena Tsouti-Schillinger is an art historian and art critic. She is the author of Robert Morris and Angst.
Inhaltsangabe
List of Illustrations vii Acknowledgments xi Introduction 1 Indiana Street (1993) 17 Writing with Davidson: Some Afterthoughts after Doing Blind Time IV: Drawing with Davidson (1993) 41 The Art of Donald Davidson (1995) 51 Steam (1995) 61 Professional Rules (1997) 63 Thinking Back about Him: On the Death of Richard Bellamy (1998) 101 CÉzanne's Mountains (1998) 103 Size Matters (2000) 121 Threading the Labyrinth (2001) 137 Solecisms of Sight: Specular Speculations (2001) 148 Thoughts on Hegel's Owl (2002) 163 Maybe the Angel in DÜrer (2003) 167 From a Chomskian Couch: The Imperialistic Unconscious (2003) 171 Toward an Opthalmology of the Aesthetic and an Orthopedics of Seeing (2004) 186 Notes on Less Than (2004) 203 The Birthday Boy (2004) 205 Jasper Johns: The First Decade (2005) 225 Chronology 257 Bibliography 267 Index 271
List of Illustrations vii Acknowledgments xi Introduction 1 Indiana Street (1993) 17 Writing with Davidson: Some Afterthoughts after Doing Blind Time IV: Drawing with Davidson (1993) 41 The Art of Donald Davidson (1995) 51 Steam (1995) 61 Professional Rules (1997) 63 Thinking Back about Him: On the Death of Richard Bellamy (1998) 101 CÉzanne's Mountains (1998) 103 Size Matters (2000) 121 Threading the Labyrinth (2001) 137 Solecisms of Sight: Specular Speculations (2001) 148 Thoughts on Hegel's Owl (2002) 163 Maybe the Angel in DÜrer (2003) 167 From a Chomskian Couch: The Imperialistic Unconscious (2003) 171 Toward an Opthalmology of the Aesthetic and an Orthopedics of Seeing (2004) 186 Notes on Less Than (2004) 203 The Birthday Boy (2004) 205 Jasper Johns: The First Decade (2005) 225 Chronology 257 Bibliography 267 Index 271
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