Showcasing the latest approaches to Haydn and his music, this benchmark volume demonstrates how Haydn scholarship has developed since the turn of this century. It will enrich readers' understanding of Haydn's cultural contexts and reception, as well as including new analyses of a selection of well-known and lesser-known compositions.
Showcasing the latest approaches to Haydn and his music, this benchmark volume demonstrates how Haydn scholarship has developed since the turn of this century. It will enrich readers' understanding of Haydn's cultural contexts and reception, as well as including new analyses of a selection of well-known and lesser-known compositions.
1. The many Haydns of musicology Emily Dolan and Matthew Head; 2. Understanding Haydn's 'Il Ritorno di Tobia' through Gassmann's tradition Bruce C. MacIntyre; 3. Listening again to Haydn's nightwatchman W. Dean Sutcliffe; 4. Haydn's last heroine: Hanne, 'The Seasons', and the culture of sensibility Rena Roussin; 5. Framing Haydn's canons: Intersections of music, art and composition in the composer's Kabinett Tom Tolley; 6. Haydn according to Matisse: encountering the composer through 'The Music Lesson', from 1917 to today Sarah Day-O'Connell; 7. The premiere of Haydn's 'Orfeo' in Florence (1951)-a Cold War story Caryl Clark; 8. Haydn in the modern instrumental performer's imagination Mary Hunter and A. LeRoy Greason; 9. Admired across the sea': importing late Haydn into early New Zealand Nancy November.
1. The many Haydns of musicology Emily Dolan and Matthew Head; 2. Understanding Haydn's 'Il Ritorno di Tobia' through Gassmann's tradition Bruce C. MacIntyre; 3. Listening again to Haydn's nightwatchman W. Dean Sutcliffe; 4. Haydn's last heroine: Hanne, 'The Seasons', and the culture of sensibility Rena Roussin; 5. Framing Haydn's canons: Intersections of music, art and composition in the composer's Kabinett Tom Tolley; 6. Haydn according to Matisse: encountering the composer through 'The Music Lesson', from 1917 to today Sarah Day-O'Connell; 7. The premiere of Haydn's 'Orfeo' in Florence (1951)-a Cold War story Caryl Clark; 8. Haydn in the modern instrumental performer's imagination Mary Hunter and A. LeRoy Greason; 9. Admired across the sea': importing late Haydn into early New Zealand Nancy November.
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