"Audiences in eighteenth-century Vienna attended the city's popular public balls, where they danced the minuet. This book reconstructs this dance, enabling audiences today to understand Haydn's minuets through the kinaesthetic associations and expectations that bodily knowledge of the dance brings, revealing previously hidden features of this music"--
"Audiences in eighteenth-century Vienna attended the city's popular public balls, where they danced the minuet. This book reconstructs this dance, enabling audiences today to understand Haydn's minuets through the kinaesthetic associations and expectations that bodily knowledge of the dance brings, revealing previously hidden features of this music"--
Joseph Fort is College Organist and Director of the Chapel Choir, and Senior Lecturer in Music at King's College London. He took up this post in 2015, upon completion of his Ph.D. in Music Theory at Harvard University.
Inhaltsangabe
List of figures List of tables List of musical examples Acknowledgements Introduction 1. The dance culture of late-eighteenth-century Vienna 2. The choreography of the Viennese minuet as a group dance 3. The music of the Viennese minuet 4. A somatic enquiry into the minuet 5. Somatic analysis of the concert minuets Epilogue Bibliography Index.
List of figures List of tables List of musical examples Acknowledgements Introduction 1. The dance culture of late-eighteenth-century Vienna 2. The choreography of the Viennese minuet as a group dance 3. The music of the Viennese minuet 4. A somatic enquiry into the minuet 5. Somatic analysis of the concert minuets Epilogue Bibliography Index.
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