A study of the nineteenth-century German writer Friedrich Hebbel, concentrating on his tragedies in prose, and examining in particular the way in which the language is used to convey Hebbel's beliefs, attitudes and intellectual preoccupations and also the dramatic effects. The three tragedies Judith, Maria Magdalene and Agnes Bernauer are studied in turn.
A study of the nineteenth-century German writer Friedrich Hebbel, concentrating on his tragedies in prose, and examining in particular the way in which the language is used to convey Hebbel's beliefs, attitudes and intellectual preoccupations and also the dramatic effects. The three tragedies Judith, Maria Magdalene and Agnes Bernauer are studied in turn.
Preface 1. Introduction Part I. Judith: 2. Scope and setting 3. The idea 4. The temper of negation 5. God and nature 6. Sleep and dreams 7. Character portrayal by image 8. The Bible and the Apocryphal Book of Judith Part II. Maria Magdalene: 9. Expository motifs 10. The balance-sheet 11. The emotional temper 12. Ambivalent communication Part III. Agnes Bernauer: 13. The background 14. The concentric setting 15. Variations on the Theme of Death 16. Biblical motifs 17. The symbolism of reality 18. Variations on the Christ Motif in other works of Hebbel Bibliography Index.
Preface 1. Introduction Part I. Judith: 2. Scope and setting 3. The idea 4. The temper of negation 5. God and nature 6. Sleep and dreams 7. Character portrayal by image 8. The Bible and the Apocryphal Book of Judith Part II. Maria Magdalene: 9. Expository motifs 10. The balance-sheet 11. The emotional temper 12. Ambivalent communication Part III. Agnes Bernauer: 13. The background 14. The concentric setting 15. Variations on the Theme of Death 16. Biblical motifs 17. The symbolism of reality 18. Variations on the Christ Motif in other works of Hebbel Bibliography Index.
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