Kyung Hyun Kim considers the recent global success of Korean popular cultureâ the Korean wave of pop music, cinema, and television also known as hallyuâ from a transnational and transcultural perspective.
Kyung Hyun Kim considers the recent global success of Korean popular cultureâ the Korean wave of pop music, cinema, and television also known as hallyuâ from a transnational and transcultural perspective.
Preface: Writing Pop Culture in the Time of Pandemic ix Introduction: Of Mimicry and Miguk 1 1. Short History of K-Pop, K-Cinema, and K-Television 35 2. The Souls of Korean Folk in the Era of Hip-Hop 85 3. Dividuated Cinema: Temporality and Body in the Overwired Age 118 4. Running Man: The Korean Television Variety Program and Affect Confucianism 140 5. The Virtual Feast: Mukbang, Con-Man Comedy, and the Post-Traumatic Family in Extreme Job (2019) and Parasite (2019) 164 6. Korean Meme-icry: Samsung and K-Pop 195 7. Reading Muhan Dojon through the Madangg¿k 220 Notes 237 Bibliography 273 Index 289
Preface: Writing Pop Culture in the Time of Pandemic ix Introduction: Of Mimicry and Miguk 1 1. Short History of K-Pop, K-Cinema, and K-Television 35 2. The Souls of Korean Folk in the Era of Hip-Hop 85 3. Dividuated Cinema: Temporality and Body in the Overwired Age 118 4. Running Man: The Korean Television Variety Program and Affect Confucianism 140 5. The Virtual Feast: Mukbang, Con-Man Comedy, and the Post-Traumatic Family in Extreme Job (2019) and Parasite (2019) 164 6. Korean Meme-icry: Samsung and K-Pop 195 7. Reading Muhan Dojon through the Madangg¿k 220 Notes 237 Bibliography 273 Index 289
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