Heidegger and the Work of Art History explores the impact and future possibilities of Heidegger's philosophy for art history and visual culture in the 21st century. Scholars from the fields of art history, visual and material studies, design, philosophy, aesthetics and new media pursue diverse lines of thinking that have departed from Heidegger's work in order to foster compelling new accounts of works of art and their historicity.
Heidegger and the Work of Art History explores the impact and future possibilities of Heidegger's philosophy for art history and visual culture in the 21st century. Scholars from the fields of art history, visual and material studies, design, philosophy, aesthetics and new media pursue diverse lines of thinking that have departed from Heidegger's work in order to foster compelling new accounts of works of art and their historicity.
Amanda Boetzkes is Assistant Professor of Modern and Contemporary Art History at the University of Guelph, Canada. Aron Vinegar is Director of Art History and Visual Culture at the University of Exeter, UK.
Inhaltsangabe
Contents: Introduction Amanda Boetzkes and Aron Vinegar; Part I Between Ontology and Ethics: The return of discrete autonomous artworks: Heidegger Harman and algorithmic allure Robert Jackson; The interior void of things: Heidegger and art of the 1980s and 1990s Ileana Parvu (translated by Shane Lillis); Giovanni Battista Moroni portraiture and the ethics of early modern conversation Bronwen Wilson. Part II Techniques of World-Making: Heidegger's 'From the dark opening...' Michael J. Golec; Art materiality and the meaning of being: Heidegger on the work of art and the significance of things Philip Tonner; 'Leaning into the wind': poiesis in Richard Long Diarmuid Costello. Part III Heidegger's Unthought History of Art: Shapes of time: melancholia anachronism and de-distancing Matthew Bowman; The gaze of 'historicity' in Schongauer and Dÿrer Michael Gnehm; 'A dwelling place': sensing the poetics of the everyday in the work of Pierre Bonnard Lori Nel Johnson. Part IV Making Claims and Aesthetic Judgment: Reluzenz: on Richard Estes Aron Vinegar; Interpretation and the affordance of things Amanda Boetzkes; Sein und Zeit im Raum: perspective as symbolic form Whitney Davis; Index.
Contents: Introduction Amanda Boetzkes and Aron Vinegar; Part I Between Ontology and Ethics: The return of discrete autonomous artworks: Heidegger Harman and algorithmic allure Robert Jackson; The interior void of things: Heidegger and art of the 1980s and 1990s Ileana Parvu (translated by Shane Lillis); Giovanni Battista Moroni portraiture and the ethics of early modern conversation Bronwen Wilson. Part II Techniques of World-Making: Heidegger's 'From the dark opening...' Michael J. Golec; Art materiality and the meaning of being: Heidegger on the work of art and the significance of things Philip Tonner; 'Leaning into the wind': poiesis in Richard Long Diarmuid Costello. Part III Heidegger's Unthought History of Art: Shapes of time: melancholia anachronism and de-distancing Matthew Bowman; The gaze of 'historicity' in Schongauer and Dÿrer Michael Gnehm; 'A dwelling place': sensing the poetics of the everyday in the work of Pierre Bonnard Lori Nel Johnson. Part IV Making Claims and Aesthetic Judgment: Reluzenz: on Richard Estes Aron Vinegar; Interpretation and the affordance of things Amanda Boetzkes; Sein und Zeit im Raum: perspective as symbolic form Whitney Davis; Index.
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