The first detailed study of Schenker's pathbreaking 1906 treatise, showing how it reflected 2500 years of thinking about harmony and presented a vigorous reaction to Austro-Germanic music theory ca. 1900.
The first detailed study of Schenker's pathbreaking 1906 treatise, showing how it reflected 2500 years of thinking about harmony and presented a vigorous reaction to Austro-Germanic music theory ca. 1900.
Introduction PART I: HARMONIELEHRE The Eclectic Intellectual Methodology of Schenker's Theory of Harmony (1906) The Music-Theoretical Content of Schenker's Theory of Harmony (1906), and the Status of Harmony in his Later Work PART II: HARMONIELEHRE: The Past Schenker's Theory of Harmony (1906) in Historical Perspective: The Theory of Harmony from the Ancient Greeks to the Early Nineteenth Century Sources of Schenker's Intellectual Methodology in 1906: The Conflict Between the Human and Natural Sciences in Schenker's Education, Music Theory in the Later Nineteenth Century, and His Reaction to Both PART III: HARMONIELEHRE: The Future A "New Edition" for a New Audience and an "American Version" for a New Country: Problems of Editing and Translating Harmonielehre (1906) The Twilight of the Masters: Schenker's Reinterpretation of the Classical Concept of Harmony Appendix A:"The Path to Likeness." Introduction and Translation of OC 83/2-43 by Robert Wason Appendix B: "[Foundations of Tonal Systems.]" Introduction and Translation of OC 31/360-417 by Robert Wason.
Introduction PART I: HARMONIELEHRE The Eclectic Intellectual Methodology of Schenker's Theory of Harmony (1906) The Music-Theoretical Content of Schenker's Theory of Harmony (1906), and the Status of Harmony in his Later Work PART II: HARMONIELEHRE: The Past Schenker's Theory of Harmony (1906) in Historical Perspective: The Theory of Harmony from the Ancient Greeks to the Early Nineteenth Century Sources of Schenker's Intellectual Methodology in 1906: The Conflict Between the Human and Natural Sciences in Schenker's Education, Music Theory in the Later Nineteenth Century, and His Reaction to Both PART III: HARMONIELEHRE: The Future A "New Edition" for a New Audience and an "American Version" for a New Country: Problems of Editing and Translating Harmonielehre (1906) The Twilight of the Masters: Schenker's Reinterpretation of the Classical Concept of Harmony Appendix A:"The Path to Likeness." Introduction and Translation of OC 83/2-43 by Robert Wason Appendix B: "[Foundations of Tonal Systems.]" Introduction and Translation of OC 31/360-417 by Robert Wason.
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