Danielle Roper examines blackface performance and its relationship to twentieth- and twenty-first-century nationalist fictions of mestizaje, creole nationalisms, and other versions of postracialism in the Americas.
Danielle Roper examines blackface performance and its relationship to twentieth- and twenty-first-century nationalist fictions of mestizaje, creole nationalisms, and other versions of postracialism in the Americas.
Danielle Roper is Neubauer Family Assistant Professor of Languages and Literatures at the University of Chicago.
Inhaltsangabe
Acknowledgments ix Introduction. Scenes of Racial Enjoyment in the Hemispheric Fold 1 1. Blackface and Racial Scripts at the Andean Fiesta: Staging the Slave Past in the Andes 26 2. Doing Antiblackness in the Hemispheric Fold: Blackface Performance in Miami in the Age of Obama 59 3. Flipping the Racial Script: Blackface Performance as Resistance in Colombia 87 4. The Postcolonial Below: Roots Theater and Black Enjoyment in Jamaica 136 Conclusion. Hemispheric Blackface and Its Afterlives 172 Notes 181 Bibliography 213 Index 233
Acknowledgments ix Introduction. Scenes of Racial Enjoyment in the Hemispheric Fold 1 1. Blackface and Racial Scripts at the Andean Fiesta: Staging the Slave Past in the Andes 26 2. Doing Antiblackness in the Hemispheric Fold: Blackface Performance in Miami in the Age of Obama 59 3. Flipping the Racial Script: Blackface Performance as Resistance in Colombia 87 4. The Postcolonial Below: Roots Theater and Black Enjoyment in Jamaica 136 Conclusion. Hemispheric Blackface and Its Afterlives 172 Notes 181 Bibliography 213 Index 233
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