Herbert Eimert and the Darmstadt School - Erwin, Max (University of Leeds)
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This Element demonstrates that Herbert Eimert's understanding of music history was adopted as the institutional discourse of New Music in Europe after 1951, and remains central to both textbook and critical scholarly accounts which attempt to make sense of the avant-garde after World War II.

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Produktbeschreibung
This Element demonstrates that Herbert Eimert's understanding of music history was adopted as the institutional discourse of New Music in Europe after 1951, and remains central to both textbook and critical scholarly accounts which attempt to make sense of the avant-garde after World War II.
Autorenporträt
Max Erwin is a musicologist and composer. His research is primarily focused on the European avant-garde. His writing has been published in Tempo, Music & Literature, and Revue belge de Musicologie, among others.