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The cueca, the only legally recognised national dance in Chile, has remained in Chilean territory for more than 150 years. Although there is a diversity of styles throughout the country, nowadays the "cueca huasa" variant is almost exclusively taught in schools and is becoming less and less popular. On the other hand, the so-called "cueca urbana", since the year 2000, has re-emerged in contemporary socio-festive spaces; however, despite being a dance of free expression, the homogenisation of gestures and movements in the dancers is observed. In this context, the question arises for the author:…mehr

Produktbeschreibung
The cueca, the only legally recognised national dance in Chile, has remained in Chilean territory for more than 150 years. Although there is a diversity of styles throughout the country, nowadays the "cueca huasa" variant is almost exclusively taught in schools and is becoming less and less popular. On the other hand, the so-called "cueca urbana", since the year 2000, has re-emerged in contemporary socio-festive spaces; however, despite being a dance of free expression, the homogenisation of gestures and movements in the dancers is observed. In this context, the question arises for the author: how is the teaching-learning process of the cueca urbana implemented at present? The "Urban Cueca Workshop" is based on this question. Here, the contributions of the Theory of Multiple Intelligences are integrated with the perspective of Dance Movement Therapy and Chilean Folklore, in order to promote meaningful learning and dance based on one's own corporeality.
Autorenporträt
Psychologue clinicienne à l'Université du Chili (2008), elle s'est ensuite spécialisée dans la même université en obtenant un diplôme en théâtre clinique et en psychodrame thérapeutique, ainsi qu'un diplôme en danse. Parallèlement, elle se forme aux danses de carnaval et de cueca, et développe une recherche interdisciplinaire dans les domaines de la danse, de la psychologie et de l'éducation.