Development of forms and styles like Dhruvapada, Khayal, and many Ragas have been gone into in their minutest details. Profiles of musicians during that time and their contemporary musical traditions add great value to this well researched study.
Development of forms and styles like Dhruvapada, Khayal, and many Ragas have been gone into in their minutest details. Profiles of musicians during that time and their contemporary musical traditions add great value to this well researched study.
Najma Perveen Ahmad, former Dean, Faculty of Music and Fine Arts, University of Delhi, and a UGC Emeritus Fellow has been deeply involved in teaching and research, and has guided a large number of PhD scholars. She belongs to the Delhi Gharana, and has obtained vocal music training from the renowned vocalist Ustad Naseer Ahmad Khan. Her specialization and researches are on the rare Persian and Urdu manuscripts based on musicology in Hindustani music during the medieval period. She has published several research papers and books. Three of her books, Hindustani Music during Seventeenth and Eighteenth Centuries; Research Methods in Indian Music; and Tashrih-ul-Moosiqui: Persian Translation of Tansen's Original Work 'Budh Prakash', have been widely acclaimed.
Inhaltsangabe
* Preface * Foreword * Introduction and Historical Background * Section A * Import Manuscript and Books of the Seventeenth and Eighteenth Centuries * 1 Raag Darpan * II Tohfat-ul-Hind * III Usulun-Naghmat-e-Asifi * IV Nadirat-e-Shahi and Other Manuscripts and Books * Section B * Development of Forms and Styles in Hindustani Music during Seventeenth and Eighteenth Centuries * V Dhruvapad Its Origin and Development * VI Khayal Its Origin and Development * VII Other Forms and Styles * Section C * Musicians of the Seventeenth and Eighteenth Centuries * VIII Names and Description of Musicians and their Musicals Styles * Bibliography
* Preface * Foreword * Introduction and Historical Background * Section A * Import Manuscript and Books of the Seventeenth and Eighteenth Centuries * 1 Raag Darpan * II Tohfat-ul-Hind * III Usulun-Naghmat-e-Asifi * IV Nadirat-e-Shahi and Other Manuscripts and Books * Section B * Development of Forms and Styles in Hindustani Music during Seventeenth and Eighteenth Centuries * V Dhruvapad Its Origin and Development * VI Khayal Its Origin and Development * VII Other Forms and Styles * Section C * Musicians of the Seventeenth and Eighteenth Centuries * VIII Names and Description of Musicians and their Musicals Styles * Bibliography
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