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This book is a critical analysis of Chenjerai Hove's selected works in prose and poetry within the framework of Historical criticism. It is evident that a writer cannot and should not ignore critical historical events of his day. Inevitably, as a mortal being, Chenjerai Hove's treatment of colonialism, independence, governance and gender issues shows that a writer cannot escape the trappings of subjectivity. From Bones (1988) to Blind Moon (2003), among others, Chenjerai Hove's treatment of history betrays certain ideological positions. This book is a balanced, worthwhile and invaluable…mehr

Produktbeschreibung
This book is a critical analysis of Chenjerai Hove's selected works in prose and poetry within the framework of Historical criticism. It is evident that a writer cannot and should not ignore critical historical events of his day. Inevitably, as a mortal being, Chenjerai Hove's treatment of colonialism, independence, governance and gender issues shows that a writer cannot escape the trappings of subjectivity. From Bones (1988) to Blind Moon (2003), among others, Chenjerai Hove's treatment of history betrays certain ideological positions. This book is a balanced, worthwhile and invaluable contribution to the limited repertoire of critical voices on Zimbabwean literature in English.
Autorenporträt
Vincent Jenjekwa, M.ED (English): Studied English and Education at University of Zimbabwe and Great Zimbabwe University. Interested in Zimbabwean Literature, English as a Second Language and Onomastics. Currently he is a lecturer in the Ministry of Higher and Tertiary Education, Zimbabwe.