This book reads Alfred Hitchcock as a philosopher of what constitutes the erotic. The author argues that Hitchcock is doing a post-Nietzschean, postmodern kind of philosophy in which he is exploring and creating possibilities of what the erotic can feel like and how the erotic can be expressed.
This book reads Alfred Hitchcock as a philosopher of what constitutes the erotic. The author argues that Hitchcock is doing a post-Nietzschean, postmodern kind of philosophy in which he is exploring and creating possibilities of what the erotic can feel like and how the erotic can be expressed.
Richard Gilmore is Professor of Philosophy at Concordia College, Moorhead, MN. He is the author of Emerson as Philosopher: Postmodernism and Beyond (2023), Searching for Wisdom in Movies: From the Book of Job to Sublime Conversations (2016), and Philosophical Health: Wittgenstein's Method in Philosophical Investigations (1999).
Inhaltsangabe
1. Introduction 2. Philosophies of Eros 3. Hitchcockian Hermeneutics: How the Non-Duped Err and the (Non-)Duped Can Not Err 4. The Erotic Hitchcock 5. The Existential Eros of Anguish 6. Erotic Losses and Wins: Readings of Vertigo and North by Northwest 7. Hitchcock on Erotic Failure and Success, Part II: Marnie Conclusion: Going to the Transferential End with Hitchcock
1. Introduction 2. Philosophies of Eros 3. Hitchcockian Hermeneutics: How the Non-Duped Err and the (Non-)Duped Can Not Err 4. The Erotic Hitchcock 5. The Existential Eros of Anguish 6. Erotic Losses and Wins: Readings of Vertigo and North by Northwest 7. Hitchcock on Erotic Failure and Success, Part II: Marnie Conclusion: Going to the Transferential End with Hitchcock
1. Introduction 2. Philosophies of Eros 3. Hitchcockian Hermeneutics: How the Non-Duped Err and the (Non-)Duped Can Not Err 4. The Erotic Hitchcock 5. The Existential Eros of Anguish 6. Erotic Losses and Wins: Readings of Vertigo and North by Northwest 7. Hitchcock on Erotic Failure and Success, Part II: Marnie Conclusion: Going to the Transferential End with Hitchcock
1. Introduction 2. Philosophies of Eros 3. Hitchcockian Hermeneutics: How the Non-Duped Err and the (Non-)Duped Can Not Err 4. The Erotic Hitchcock 5. The Existential Eros of Anguish 6. Erotic Losses and Wins: Readings of Vertigo and North by Northwest 7. Hitchcock on Erotic Failure and Success, Part II: Marnie Conclusion: Going to the Transferential End with Hitchcock
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