From Charlie Chaplin to Jim Carrey, this book brings together key writings on one of the most consistently popular genres of Hollywood cinema and looks at issues including genre, narrative, race, gender and class.
From Charlie Chaplin to Jim Carrey, this book brings together key writings on one of the most consistently popular genres of Hollywood cinema and looks at issues including genre, narrative, race, gender and class.
Frank Krutnik is Professor in Film Studies at Sheffield Hallam University. He is the author of Inventing Jerry Lewis (Smithsonian University Press 2000), In a Lonely Street: Film Noir, Genre, Masculinity (Routledge 1991) and, with Steve Neale, Popular Film and Television Comedy (Routledge 1990).
Inhaltsangabe
General Introduction PART ONE: GENRE NARRATIVE AND PERFORMANCE 1 Steve Seidman Performance Enunciation and Self-reference in Hollywood Comedian Comedy 2 Peter Krämer Derailing the Honeymoon Express: Comicality and Narrative Closure in Buster Keaton's The Blacksmith PART TWO: APPROACHES TO SILENT COMEDY 3 Steve Neale and Frank Krutnik The Case of Silent Slapstick 4 Tom Gunning Buster Keaton or the Work of Comedy in the Age of Mechanical Reproduction 5 William Paul Charlie Chaplin and the Annals of Anality PART THREE: SOUND COMEDY THE VAUDEVILLE AESTHETIC AND ETHNICITY 6 Henry Jenkins III Anarchistic Comedy and the Vaudeville Aesthetic 7 Mark Winokur The Marx Brothers and the Search for the Landsman PART FOUR: COMEDIAN COMEDY AND GENDER 8 Kathleen Rowe She Done Him Wrong: Spectacle and Narrative 9 Patricia Mellencamp Lucille Ball and the Regime of Domiculture 10 Joanna E. Rapf Comic Theory from a Feminist Perspective: A Look at Jerry Lewis 11 Steven Cohan Queering the Deal: On the Road with Hope and Crosby PART FIVE: POST-CLASSICAL COMEDIAN COMEDY 12 Bambi L. Haggins Laughing Mad: The Black Comedian's Place in American Comedy of the Post-Civil Rights Era 13 Philip Drake Low Blows? Theorizing Performance in Post-classical Comedian Comedy.
General Introduction PART ONE: GENRE NARRATIVE AND PERFORMANCE 1 Steve Seidman Performance Enunciation and Self-reference in Hollywood Comedian Comedy 2 Peter Krämer Derailing the Honeymoon Express: Comicality and Narrative Closure in Buster Keaton's The Blacksmith PART TWO: APPROACHES TO SILENT COMEDY 3 Steve Neale and Frank Krutnik The Case of Silent Slapstick 4 Tom Gunning Buster Keaton or the Work of Comedy in the Age of Mechanical Reproduction 5 William Paul Charlie Chaplin and the Annals of Anality PART THREE: SOUND COMEDY THE VAUDEVILLE AESTHETIC AND ETHNICITY 6 Henry Jenkins III Anarchistic Comedy and the Vaudeville Aesthetic 7 Mark Winokur The Marx Brothers and the Search for the Landsman PART FOUR: COMEDIAN COMEDY AND GENDER 8 Kathleen Rowe She Done Him Wrong: Spectacle and Narrative 9 Patricia Mellencamp Lucille Ball and the Regime of Domiculture 10 Joanna E. Rapf Comic Theory from a Feminist Perspective: A Look at Jerry Lewis 11 Steven Cohan Queering the Deal: On the Road with Hope and Crosby PART FIVE: POST-CLASSICAL COMEDIAN COMEDY 12 Bambi L. Haggins Laughing Mad: The Black Comedian's Place in American Comedy of the Post-Civil Rights Era 13 Philip Drake Low Blows? Theorizing Performance in Post-classical Comedian Comedy.
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