A comprehensive analysis of the historical film--a popular and controversial genre that's been with us since the early days of cinema--and Hollywood's unique ability to reshape our viewpoints while it sensually recreates the past.
A comprehensive analysis of the historical film--a popular and controversial genre that's been with us since the early days of cinema--and Hollywood's unique ability to reshape our viewpoints while it sensually recreates the past.
Robert Burgoyne is professor of English and Film Studies at Wayne State University. He is the author of Bertolucci's 1900: A Narrative and Historical Analysis; Film Nation: Hollywood Looks at U.S. History; and coauthor, with Robert Stam and Sandy Flitterman-Lewis, of New Vocabularies in Film Semiotics.
Inhaltsangabe
Acknowledgements. Introduction. 1. The Cinematic Writing of History: An Overview. 2. The War Film: Saving Private Ryan. 3. The Epic Film: Gladiator and Spartacus. 4. The Biographical Film: Schindler's List. 5. The Metahistorical Film: JFK. 6. The Topical Film: United 93 and World Trade Center. Notes. Index
Acknowledgements. Introduction. 1. The Cinematic Writing of History: An Overview. 2. The War Film: Saving Private Ryan. 3. The Epic Film: Gladiator and Spartacus. 4. The Biographical Film: Schindler's List. 5. The Metahistorical Film: JFK. 6. The Topical Film: United 93 and World Trade Center. Notes. Index
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