Who makes films and television shows? How do those people make a living in Hollywood? Hollywood Unions tells the stories of the unions and guilds that have organized and negotiate on behalf of motion picture and television labor: the DGA, IATSE, SAG-AFTRA, and WGA.
Who makes films and television shows? How do those people make a living in Hollywood? Hollywood Unions tells the stories of the unions and guilds that have organized and negotiate on behalf of motion picture and television labor: the DGA, IATSE, SAG-AFTRA, and WGA.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
KATE FORTMUELLER is an associate professor of film and media history at Georgia State University, Atlanta. She is the author of Below the Stars: Labor of Working Actors and Extras Shapes Media Production and Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID. LUCI MARZOLA is program coordinator and lecturer in the Division of Cinema and Media Studies in the School of Cinematic Arts at University of Southern California. She is the author of Engineering Hollywood: Technology, Technicians and the Science of Building the Studio System.
Inhaltsangabe
Introduction: Unions in Hollywood Kate Fortmueller and Luci Marzola Section I. The Below-the-Line Unions: IATSE in Hollywood Introduction Luci Marzola and Katie Bird Chapter 1 Feminized Production Roles: Uneven Progress, Enduring Inequality in Female Dominated Locals Erin Hill Chapter 2 Backlot Work: The Working Class Backbone of Hollywood’s Unions Katie Bird Chapter 3 Sound and Camera: The Pacesetters on Set and in IATSE Luci Marzola Chapter 4 Post-Production: Working Behind the Scenes and At the Forefront of IATSE Paul Monticone Chapter 5 Art Direction: The Drive to Unite Hollywood’s Designers and Artists Barbara Hall Chapter 6 Makeup and Hair: Forgotten Folks and Famous Experts Adrienne L. McLean Chapter 7 Costumes and Wardrobe: Gender and the Invisible Labor of Costume Departments Helen Warner Chapter 8 Animation: Hollywood Outliers, Industry Firebrands Dawn Fratini Section II. The Guilds: Hollywood’s Creative Class Introduction Kate Fortmueller Chapter 9 Writers: Scripting the Narrative of Hollywood Labor Miranda Banks Chapter 10 Actors: Balancing the Needs of Extras, Actors, and Stars Kate Fortmueller Chapter 11 Directors: Power, Prestige, and the Politics of Authorship Maya Montañez Smukler Coda: Hollywood on Strike Kate Fortmueller Appendix – Hollywood Unions Strike Timeline
Introduction: Unions in Hollywood Kate Fortmueller and Luci Marzola Section I. The Below-the-Line Unions: IATSE in Hollywood Introduction Luci Marzola and Katie Bird Chapter 1 Feminized Production Roles: Uneven Progress, Enduring Inequality in Female Dominated Locals Erin Hill Chapter 2 Backlot Work: The Working Class Backbone of Hollywood’s Unions Katie Bird Chapter 3 Sound and Camera: The Pacesetters on Set and in IATSE Luci Marzola Chapter 4 Post-Production: Working Behind the Scenes and At the Forefront of IATSE Paul Monticone Chapter 5 Art Direction: The Drive to Unite Hollywood’s Designers and Artists Barbara Hall Chapter 6 Makeup and Hair: Forgotten Folks and Famous Experts Adrienne L. McLean Chapter 7 Costumes and Wardrobe: Gender and the Invisible Labor of Costume Departments Helen Warner Chapter 8 Animation: Hollywood Outliers, Industry Firebrands Dawn Fratini Section II. The Guilds: Hollywood’s Creative Class Introduction Kate Fortmueller Chapter 9 Writers: Scripting the Narrative of Hollywood Labor Miranda Banks Chapter 10 Actors: Balancing the Needs of Extras, Actors, and Stars Kate Fortmueller Chapter 11 Directors: Power, Prestige, and the Politics of Authorship Maya Montañez Smukler Coda: Hollywood on Strike Kate Fortmueller Appendix – Hollywood Unions Strike Timeline
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