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In this book, I try to inform the public about the history of artistic holography. Having been born in a period of great technological development, it deserves special mention because it has been overshadowed by other types and avant-gardes that have meant that it has not been as widely publicised as its Virtual Three-Dimensional Arts peers, such as 3D Cinema, stereoscopic photography and 3D Virtual Reality, which are still so familiar to us today compared to artistic holography, despite the latter being a recurring theme in various works of science fiction.

Produktbeschreibung
In this book, I try to inform the public about the history of artistic holography. Having been born in a period of great technological development, it deserves special mention because it has been overshadowed by other types and avant-gardes that have meant that it has not been as widely publicised as its Virtual Three-Dimensional Arts peers, such as 3D Cinema, stereoscopic photography and 3D Virtual Reality, which are still so familiar to us today compared to artistic holography, despite the latter being a recurring theme in various works of science fiction.
Autorenporträt
Nuno Miguel José Janardo was born in Lisbon in 1990. He has a degree in Art History from the Faculty of Letters of the University of Lisbon and a master's degree in Art, Heritage and Restoration Theory from the same alma mater. He has already attended ISDH 2015 in St Petersburg, where he presented and published his first scientific paper on holography.