Jody EndersAnother Dozen Medieval French Plays in Modern English
Holy Deadlock and Further Ribaldries
Another Dozen Medieval French Plays in Modern English
Herausgeber: Enders, Jody / Übersetzer: Enders, Jody
Jody EndersAnother Dozen Medieval French Plays in Modern English
Holy Deadlock and Further Ribaldries
Another Dozen Medieval French Plays in Modern English
Herausgeber: Enders, Jody / Übersetzer: Enders, Jody
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Jody Enders is Distinguished Professor of French at the University of California, Santa Barbara. She is editor and translator of "The Farce of the Fart" and Other Ribaldries: Twelve Medieval French Plays in Modern English, also available from the University of Pennsylvania Press.
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Jody Enders is Distinguished Professor of French at the University of California, Santa Barbara. She is editor and translator of "The Farce of the Fart" and Other Ribaldries: Twelve Medieval French Plays in Modern English, also available from the University of Pennsylvania Press.
Produktdetails
- Produktdetails
- Verlag: University of Pennsylvania Press
- Seitenzahl: 552
- Erscheinungstermin: 1. März 2017
- Englisch
- Abmessung: 231mm x 160mm x 41mm
- Gewicht: 885g
- ISBN-13: 9780812248746
- ISBN-10: 0812248740
- Artikelnr.: 46877555
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: University of Pennsylvania Press
- Seitenzahl: 552
- Erscheinungstermin: 1. März 2017
- Englisch
- Abmessung: 231mm x 160mm x 41mm
- Gewicht: 885g
- ISBN-13: 9780812248746
- ISBN-10: 0812248740
- Artikelnr.: 46877555
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Jody Enders is Distinguished Professor of French at the University of California, Santa Barbara. She is editor and translator of "The Farce of the Fart" and Other Ribaldries: Twelve Medieval French Plays in Modern English, also available from the University of Pennsylvania Press.
On Abbreviations
Short Titles
and Endnotes Introduction
Part Deux: Seriously Funny About This Translation -Une Traduction engagÉe
a Feminist Appropriation -On Anonymity
Naming
and Renaming -Critical Apparatus -Editions and Printed Sources -Order of Presentation -Stage Directions -Money
Money
Money -Grammar
Style
and "Foreign-Language" Materials -Prose
Verse
Music
and Choreography Brief Plot Summaries THE PLAYS Actors' Prologue 1. The Newlywed Game [Le Conseil au Nouveau MariÉ] (RBM
#1) 2. The Shithouse [Le Retraict] (RLV
#54) 3. Pots and Scams
or
The Farce of the Kettle-Maker [Un Chaudronnier] ( RBM
#30) 4. For the Birds
or
Conjugal Birdplay [La MauvaistiÉ des femmes] (RC
#48) 5. The Jackass Conjecture
or
Animal Husbandry [Le Pont aux Ânes] (RBM
#25) 6. Match
Point
Counterpoint
or
The Old Lover vs. the Young Lover [Le Viel Amoureulx et le Jeune Amoureulx] (RLV
#9) 7. Holy Deadlock
or
The Pilgrimage of Marriage [Le PÈlerinage de mariage ] (RLV
#19) 8. Bitches and Pussycats
or
Peace of Ass [Les Deux Maris et leurs deux femmes dont l'une a male tÊte et l'autre est tendre du cul] (RBM
#10) 9. Wife Swap: A Musical Comedy
or
The Taming
Pas de Deux [Le Savatier
Marguet
Jacquet
Proserpine et l'Oste] (RLV
#74) 10. Husband Swap
or
Swap Meat [Le Trocheur de maris] (RLV
#60) 11. Extreme Husband Makeover
or
Lost and Foundry [Les Femmes qui font refondre leurs maris] (RBM
#6) 12. Marriage with a Grain of Salt [Les Hommes qui font saller leurs femmes ] (published in Rouen
1600) Appendix: Scholarly References to Copyrighted Materials Notes Bibliography Acknowledgments * * * * *
Short Titles
and Endnotes Introduction
Part Deux: Seriously Funny About This Translation -Une Traduction engagÉe
a Feminist Appropriation -On Anonymity
Naming
and Renaming -Critical Apparatus -Editions and Printed Sources -Order of Presentation -Stage Directions -Money
Money
Money -Grammar
Style
and "Foreign-Language" Materials -Prose
Verse
Music
and Choreography Brief Plot Summaries THE PLAYS Actors' Prologue 1. The Newlywed Game [Le Conseil au Nouveau MariÉ] (RBM
#1) 2. The Shithouse [Le Retraict] (RLV
#54) 3. Pots and Scams
or
The Farce of the Kettle-Maker [Un Chaudronnier] ( RBM
#30) 4. For the Birds
or
Conjugal Birdplay [La MauvaistiÉ des femmes] (RC
#48) 5. The Jackass Conjecture
or
Animal Husbandry [Le Pont aux Ânes] (RBM
#25) 6. Match
Point
Counterpoint
or
The Old Lover vs. the Young Lover [Le Viel Amoureulx et le Jeune Amoureulx] (RLV
#9) 7. Holy Deadlock
or
The Pilgrimage of Marriage [Le PÈlerinage de mariage ] (RLV
#19) 8. Bitches and Pussycats
or
Peace of Ass [Les Deux Maris et leurs deux femmes dont l'une a male tÊte et l'autre est tendre du cul] (RBM
#10) 9. Wife Swap: A Musical Comedy
or
The Taming
Pas de Deux [Le Savatier
Marguet
Jacquet
Proserpine et l'Oste] (RLV
#74) 10. Husband Swap
or
Swap Meat [Le Trocheur de maris] (RLV
#60) 11. Extreme Husband Makeover
or
Lost and Foundry [Les Femmes qui font refondre leurs maris] (RBM
#6) 12. Marriage with a Grain of Salt [Les Hommes qui font saller leurs femmes ] (published in Rouen
1600) Appendix: Scholarly References to Copyrighted Materials Notes Bibliography Acknowledgments * * * * *
On Abbreviations
Short Titles
and Endnotes Introduction
Part Deux: Seriously Funny About This Translation -Une Traduction engagÉe
a Feminist Appropriation -On Anonymity
Naming
and Renaming -Critical Apparatus -Editions and Printed Sources -Order of Presentation -Stage Directions -Money
Money
Money -Grammar
Style
and "Foreign-Language" Materials -Prose
Verse
Music
and Choreography Brief Plot Summaries THE PLAYS Actors' Prologue 1. The Newlywed Game [Le Conseil au Nouveau MariÉ] (RBM
#1) 2. The Shithouse [Le Retraict] (RLV
#54) 3. Pots and Scams
or
The Farce of the Kettle-Maker [Un Chaudronnier] ( RBM
#30) 4. For the Birds
or
Conjugal Birdplay [La MauvaistiÉ des femmes] (RC
#48) 5. The Jackass Conjecture
or
Animal Husbandry [Le Pont aux Ânes] (RBM
#25) 6. Match
Point
Counterpoint
or
The Old Lover vs. the Young Lover [Le Viel Amoureulx et le Jeune Amoureulx] (RLV
#9) 7. Holy Deadlock
or
The Pilgrimage of Marriage [Le PÈlerinage de mariage ] (RLV
#19) 8. Bitches and Pussycats
or
Peace of Ass [Les Deux Maris et leurs deux femmes dont l'une a male tÊte et l'autre est tendre du cul] (RBM
#10) 9. Wife Swap: A Musical Comedy
or
The Taming
Pas de Deux [Le Savatier
Marguet
Jacquet
Proserpine et l'Oste] (RLV
#74) 10. Husband Swap
or
Swap Meat [Le Trocheur de maris] (RLV
#60) 11. Extreme Husband Makeover
or
Lost and Foundry [Les Femmes qui font refondre leurs maris] (RBM
#6) 12. Marriage with a Grain of Salt [Les Hommes qui font saller leurs femmes ] (published in Rouen
1600) Appendix: Scholarly References to Copyrighted Materials Notes Bibliography Acknowledgments * * * * *
Short Titles
and Endnotes Introduction
Part Deux: Seriously Funny About This Translation -Une Traduction engagÉe
a Feminist Appropriation -On Anonymity
Naming
and Renaming -Critical Apparatus -Editions and Printed Sources -Order of Presentation -Stage Directions -Money
Money
Money -Grammar
Style
and "Foreign-Language" Materials -Prose
Verse
Music
and Choreography Brief Plot Summaries THE PLAYS Actors' Prologue 1. The Newlywed Game [Le Conseil au Nouveau MariÉ] (RBM
#1) 2. The Shithouse [Le Retraict] (RLV
#54) 3. Pots and Scams
or
The Farce of the Kettle-Maker [Un Chaudronnier] ( RBM
#30) 4. For the Birds
or
Conjugal Birdplay [La MauvaistiÉ des femmes] (RC
#48) 5. The Jackass Conjecture
or
Animal Husbandry [Le Pont aux Ânes] (RBM
#25) 6. Match
Point
Counterpoint
or
The Old Lover vs. the Young Lover [Le Viel Amoureulx et le Jeune Amoureulx] (RLV
#9) 7. Holy Deadlock
or
The Pilgrimage of Marriage [Le PÈlerinage de mariage ] (RLV
#19) 8. Bitches and Pussycats
or
Peace of Ass [Les Deux Maris et leurs deux femmes dont l'une a male tÊte et l'autre est tendre du cul] (RBM
#10) 9. Wife Swap: A Musical Comedy
or
The Taming
Pas de Deux [Le Savatier
Marguet
Jacquet
Proserpine et l'Oste] (RLV
#74) 10. Husband Swap
or
Swap Meat [Le Trocheur de maris] (RLV
#60) 11. Extreme Husband Makeover
or
Lost and Foundry [Les Femmes qui font refondre leurs maris] (RBM
#6) 12. Marriage with a Grain of Salt [Les Hommes qui font saller leurs femmes ] (published in Rouen
1600) Appendix: Scholarly References to Copyrighted Materials Notes Bibliography Acknowledgments * * * * *