Home Movies Hardly Silent is an in-depth study and analysis of Deaf-made home movies during the silent era of amateur filmmaking (1925-1970s), showing how Deaf people used film technology to textualize sign language
Home Movies Hardly Silent is an in-depth study and analysis of Deaf-made home movies during the silent era of amateur filmmaking (1925-1970s), showing how Deaf people used film technology to textualize sign language
Matt Malzkuhn is an educator and entrepreneur who has developed resources related to Deaf Culture and American Sign Language. A former faculty at Gallaudet University, he is now a research consultant for the Sign Language Research Laboratory at Georgetown University in Washington, D.C. Ted Supalla is Professor of Neurology at Georgetown University. He is the co-author of Sign Language Archaeology: Understanding Historical Roots of American Sign Language. He also produced a documentary film on a Deaf filmmaker who recorded Deaf culture from 1925 to the 1940s.
Inhaltsangabe
* Foreword by Dwight Swanson * Chapter 1: Introduction * Chapter 2: How Amateur Filmmaking Technology Gave the Deaf Their Voice * Chapter 3: Krauel's Journey as Amateur Filmmaker Pioneer * Chapter 4: On the Authenticity of Amateur Filmmaking and Deaf Folklife * Chapter 5: Designing Ethnographic Methodology for Manifesting Deaf Voice * Chapter 6: Fundamentals for Organizing Film Collections * Chapter 7: Theme Based Ethnographic Analysis * Chapter 8: Tweaking Ethnographic Paradigms and Views * Chapter 9: Leaving a Cinematic Legacy through Sign Language * Chapter 10: Epilogue * Appendix * Bibliography * Index
* Foreword by Dwight Swanson * Chapter 1: Introduction * Chapter 2: How Amateur Filmmaking Technology Gave the Deaf Their Voice * Chapter 3: Krauel's Journey as Amateur Filmmaker Pioneer * Chapter 4: On the Authenticity of Amateur Filmmaking and Deaf Folklife * Chapter 5: Designing Ethnographic Methodology for Manifesting Deaf Voice * Chapter 6: Fundamentals for Organizing Film Collections * Chapter 7: Theme Based Ethnographic Analysis * Chapter 8: Tweaking Ethnographic Paradigms and Views * Chapter 9: Leaving a Cinematic Legacy through Sign Language * Chapter 10: Epilogue * Appendix * Bibliography * Index
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