Taking a holistic approach to performances of the Iliad and the Odyssey, this multidisciplinary volume examines both the rhapsodes who performed the poems and the narrators and characters within them.
Taking a holistic approach to performances of the Iliad and the Odyssey, this multidisciplinary volume examines both the rhapsodes who performed the poems and the narrators and characters within them.
JONATHAN L. READY Bloomington, Indiana. Ready is an associate professor of classical studies at Indiana University. His books include The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia. CHRISTOS C. TSAGALIS Thessaloniki, Greece. Tsagalis is a professor of Greek at Aristotle University. His books include Early Greek Epic Fragments: Antiquarian and Genealogical Epic.
Inhaltsangabe
A Note on Iota Adscript and the Transliteration of Proper NounsAcknowledgmentsIntroduction Jonathan L. Ready and Christos C. TsagalisPart I. RhapsodesChapter 1. Performance Contexts for Rhapsodic Recitals in the Archaic and Classical Periods Christos C. TsagalisChapter 2. Reading Rhapsodes on Athenian Vases Sheramy D. BundrickChapter 3. Performance Contexts for Rhapsodic Recitals in the Hellenistic Period Christos C. TsagalisChapter 4. Rhapsodes and Rhapsodic Contests in the Imperial Period Anne GangloffChapter 5. Formed on the Festival Stage: Plot and Characterization in the Iliad as a Competitive Collaborative Process Mary R. BachvarovaChapter 6. Did Sappho and Homer Ever Meet? Comparative Perspectives on Homeric Singers Olga LevanioukPart II. Narrators and CharactersChapter 7. Odysseus Polyonymous Deborah BeckChapter 8. Embedded Focalization and Free Indirect Speech in Homer as Viewpoint Blending Anna BonifaziChapter 9. Speech Training and the Mastery of Context: Thoas the Aetolian and the Practice of Muthoi Joel P. ChristensenChapter 10. Diomedes as Audience and Speaker in the Iliad James O'MaleyChapter 11. Hektor, the Marginal Hero: Performance Theory and the Homeric Monologue Lorenzo F. Garcia Jr.Chapter 12. Performance, Oral Texts, and Entextualization in Homeric Epic Jonathan L. ReadyChapter 13. Homer's Rivals? Internal Narrators in the Iliad Adrian Kelly Works CitedContributorsIndex of TermsIndex of Passages
A Note on Iota Adscript and the Transliteration of Proper NounsAcknowledgmentsIntroduction Jonathan L. Ready and Christos C. TsagalisPart I. RhapsodesChapter 1. Performance Contexts for Rhapsodic Recitals in the Archaic and Classical Periods Christos C. TsagalisChapter 2. Reading Rhapsodes on Athenian Vases Sheramy D. BundrickChapter 3. Performance Contexts for Rhapsodic Recitals in the Hellenistic Period Christos C. TsagalisChapter 4. Rhapsodes and Rhapsodic Contests in the Imperial Period Anne GangloffChapter 5. Formed on the Festival Stage: Plot and Characterization in the Iliad as a Competitive Collaborative Process Mary R. BachvarovaChapter 6. Did Sappho and Homer Ever Meet? Comparative Perspectives on Homeric Singers Olga LevanioukPart II. Narrators and CharactersChapter 7. Odysseus Polyonymous Deborah BeckChapter 8. Embedded Focalization and Free Indirect Speech in Homer as Viewpoint Blending Anna BonifaziChapter 9. Speech Training and the Mastery of Context: Thoas the Aetolian and the Practice of Muthoi Joel P. ChristensenChapter 10. Diomedes as Audience and Speaker in the Iliad James O'MaleyChapter 11. Hektor, the Marginal Hero: Performance Theory and the Homeric Monologue Lorenzo F. Garcia Jr.Chapter 12. Performance, Oral Texts, and Entextualization in Homeric Epic Jonathan L. ReadyChapter 13. Homer's Rivals? Internal Narrators in the Iliad Adrian Kelly Works CitedContributorsIndex of TermsIndex of Passages
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