Jonathan Ready, Christos TsagalisRhapsodes, Narrators, and Characters
Homer in Performance
Rhapsodes, Narrators, and Characters
Herausgeber: Tsagalis, Christos C.; Ready, Jonathan L.
Jonathan Ready, Christos TsagalisRhapsodes, Narrators, and Characters
Homer in Performance
Rhapsodes, Narrators, and Characters
Herausgeber: Tsagalis, Christos C.; Ready, Jonathan L.
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Taking a holistic approach to performances of the Iliad and the Odyssey, this multidisciplinary volume examines both the rhapsodes who performed the poems and the narrators and characters within them.
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Taking a holistic approach to performances of the Iliad and the Odyssey, this multidisciplinary volume examines both the rhapsodes who performed the poems and the narrators and characters within them.
Produktdetails
- Produktdetails
- Verlag: University of Texas Press
- Seitenzahl: 440
- Erscheinungstermin: 2. Dezember 2025
- Englisch
- Abmessung: 151mm x 229mm x 27mm
- Gewicht: 632g
- ISBN-13: 9781477333617
- ISBN-10: 1477333614
- Artikelnr.: 74362458
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: University of Texas Press
- Seitenzahl: 440
- Erscheinungstermin: 2. Dezember 2025
- Englisch
- Abmessung: 151mm x 229mm x 27mm
- Gewicht: 632g
- ISBN-13: 9781477333617
- ISBN-10: 1477333614
- Artikelnr.: 74362458
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
JONATHAN L. READY Bloomington, Indiana. Ready is an associate professor of classical studies at Indiana University. His books include The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia. CHRISTOS C. TSAGALIS Thessaloniki, Greece. Tsagalis is a professor of Greek at Aristotle University. His books include Early Greek Epic Fragments: Antiquarian and Genealogical Epic.
A Note on Iota Adscript and the Transliteration of Proper
NounsAcknowledgmentsIntroduction Jonathan L. Ready and Christos C.
TsagalisPart I. RhapsodesChapter 1. Performance Contexts for Rhapsodic
Recitals in the Archaic and Classical Periods Christos C. TsagalisChapter
2. Reading Rhapsodes on Athenian Vases Sheramy D. BundrickChapter 3.
Performance Contexts for Rhapsodic Recitals in the Hellenistic Period
Christos C. TsagalisChapter 4. Rhapsodes and Rhapsodic Contests in the
Imperial Period Anne GangloffChapter 5. Formed on the Festival Stage: Plot
and Characterization in the Iliad as a Competitive Collaborative Process
Mary R. BachvarovaChapter 6. Did Sappho and Homer Ever Meet? Comparative
Perspectives on Homeric Singers Olga LevanioukPart II. Narrators and
CharactersChapter 7. Odysseus Polyonymous Deborah BeckChapter 8. Embedded
Focalization and Free Indirect Speech in Homer as Viewpoint Blending Anna
BonifaziChapter 9. Speech Training and the Mastery of Context: Thoas the
Aetolian and the Practice of Muthoi Joel P. ChristensenChapter 10. Diomedes
as Audience and Speaker in the Iliad James O'MaleyChapter 11. Hektor, the
Marginal Hero: Performance Theory and the Homeric Monologue Lorenzo F.
Garcia Jr.Chapter 12. Performance, Oral Texts, and Entextualization in
Homeric Epic Jonathan L. ReadyChapter 13. Homer's Rivals? Internal
Narrators in the Iliad Adrian Kelly Works CitedContributorsIndex of
TermsIndex of Passages
NounsAcknowledgmentsIntroduction Jonathan L. Ready and Christos C.
TsagalisPart I. RhapsodesChapter 1. Performance Contexts for Rhapsodic
Recitals in the Archaic and Classical Periods Christos C. TsagalisChapter
2. Reading Rhapsodes on Athenian Vases Sheramy D. BundrickChapter 3.
Performance Contexts for Rhapsodic Recitals in the Hellenistic Period
Christos C. TsagalisChapter 4. Rhapsodes and Rhapsodic Contests in the
Imperial Period Anne GangloffChapter 5. Formed on the Festival Stage: Plot
and Characterization in the Iliad as a Competitive Collaborative Process
Mary R. BachvarovaChapter 6. Did Sappho and Homer Ever Meet? Comparative
Perspectives on Homeric Singers Olga LevanioukPart II. Narrators and
CharactersChapter 7. Odysseus Polyonymous Deborah BeckChapter 8. Embedded
Focalization and Free Indirect Speech in Homer as Viewpoint Blending Anna
BonifaziChapter 9. Speech Training and the Mastery of Context: Thoas the
Aetolian and the Practice of Muthoi Joel P. ChristensenChapter 10. Diomedes
as Audience and Speaker in the Iliad James O'MaleyChapter 11. Hektor, the
Marginal Hero: Performance Theory and the Homeric Monologue Lorenzo F.
Garcia Jr.Chapter 12. Performance, Oral Texts, and Entextualization in
Homeric Epic Jonathan L. ReadyChapter 13. Homer's Rivals? Internal
Narrators in the Iliad Adrian Kelly Works CitedContributorsIndex of
TermsIndex of Passages
A Note on Iota Adscript and the Transliteration of Proper
NounsAcknowledgmentsIntroduction Jonathan L. Ready and Christos C.
TsagalisPart I. RhapsodesChapter 1. Performance Contexts for Rhapsodic
Recitals in the Archaic and Classical Periods Christos C. TsagalisChapter
2. Reading Rhapsodes on Athenian Vases Sheramy D. BundrickChapter 3.
Performance Contexts for Rhapsodic Recitals in the Hellenistic Period
Christos C. TsagalisChapter 4. Rhapsodes and Rhapsodic Contests in the
Imperial Period Anne GangloffChapter 5. Formed on the Festival Stage: Plot
and Characterization in the Iliad as a Competitive Collaborative Process
Mary R. BachvarovaChapter 6. Did Sappho and Homer Ever Meet? Comparative
Perspectives on Homeric Singers Olga LevanioukPart II. Narrators and
CharactersChapter 7. Odysseus Polyonymous Deborah BeckChapter 8. Embedded
Focalization and Free Indirect Speech in Homer as Viewpoint Blending Anna
BonifaziChapter 9. Speech Training and the Mastery of Context: Thoas the
Aetolian and the Practice of Muthoi Joel P. ChristensenChapter 10. Diomedes
as Audience and Speaker in the Iliad James O'MaleyChapter 11. Hektor, the
Marginal Hero: Performance Theory and the Homeric Monologue Lorenzo F.
Garcia Jr.Chapter 12. Performance, Oral Texts, and Entextualization in
Homeric Epic Jonathan L. ReadyChapter 13. Homer's Rivals? Internal
Narrators in the Iliad Adrian Kelly Works CitedContributorsIndex of
TermsIndex of Passages
NounsAcknowledgmentsIntroduction Jonathan L. Ready and Christos C.
TsagalisPart I. RhapsodesChapter 1. Performance Contexts for Rhapsodic
Recitals in the Archaic and Classical Periods Christos C. TsagalisChapter
2. Reading Rhapsodes on Athenian Vases Sheramy D. BundrickChapter 3.
Performance Contexts for Rhapsodic Recitals in the Hellenistic Period
Christos C. TsagalisChapter 4. Rhapsodes and Rhapsodic Contests in the
Imperial Period Anne GangloffChapter 5. Formed on the Festival Stage: Plot
and Characterization in the Iliad as a Competitive Collaborative Process
Mary R. BachvarovaChapter 6. Did Sappho and Homer Ever Meet? Comparative
Perspectives on Homeric Singers Olga LevanioukPart II. Narrators and
CharactersChapter 7. Odysseus Polyonymous Deborah BeckChapter 8. Embedded
Focalization and Free Indirect Speech in Homer as Viewpoint Blending Anna
BonifaziChapter 9. Speech Training and the Mastery of Context: Thoas the
Aetolian and the Practice of Muthoi Joel P. ChristensenChapter 10. Diomedes
as Audience and Speaker in the Iliad James O'MaleyChapter 11. Hektor, the
Marginal Hero: Performance Theory and the Homeric Monologue Lorenzo F.
Garcia Jr.Chapter 12. Performance, Oral Texts, and Entextualization in
Homeric Epic Jonathan L. ReadyChapter 13. Homer's Rivals? Internal
Narrators in the Iliad Adrian Kelly Works CitedContributorsIndex of
TermsIndex of Passages







