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Explores the circulation of Hong Kong action cinema in Japan, Korea, India, Australia, France, and the United States, and its links with Taiwan, Singapore, and the Chinese mainland. This collection examines diverse cultural contexts for action cinema's popularity and the problems involved in the trans-national study of globally popular forms.

Produktbeschreibung
Explores the circulation of Hong Kong action cinema in Japan, Korea, India, Australia, France, and the United States, and its links with Taiwan, Singapore, and the Chinese mainland. This collection examines diverse cultural contexts for action cinema's popularity and the problems involved in the trans-national study of globally popular forms.
Autorenporträt
Meaghan Morris, Siu-Leung Li, and Stephen Chan Ching-kiu, eds.