Malte Hagener, Yvonne ZimmermannMaterials, Methods, Discourses
How Film Histories Were Made
Materials, Methods, Discourses
Herausgeber: Hagener, Malte; Zimmermann, Yvonne
Malte Hagener, Yvonne ZimmermannMaterials, Methods, Discourses
How Film Histories Were Made
Materials, Methods, Discourses
Herausgeber: Hagener, Malte; Zimmermann, Yvonne
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The edited volume proposes a transnational, entangled and culturally diverse approach towards an archaeology of film history, while paying specific attention to persons, objects, infrastructures, regions, institutional fields and events hitherto overlooked.
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The edited volume proposes a transnational, entangled and culturally diverse approach towards an archaeology of film history, while paying specific attention to persons, objects, infrastructures, regions, institutional fields and events hitherto overlooked.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 530
- Erscheinungstermin: 27. November 2023
- Englisch
- Abmessung: 240mm x 161mm x 33mm
- Gewicht: 954g
- ISBN-13: 9789463724067
- ISBN-10: 9463724060
- Artikelnr.: 70006849
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Routledge
- Seitenzahl: 530
- Erscheinungstermin: 27. November 2023
- Englisch
- Abmessung: 240mm x 161mm x 33mm
- Gewicht: 954g
- ISBN-13: 9789463724067
- ISBN-10: 9463724060
- Artikelnr.: 70006849
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Malte Hagener is Professor of Media and Film Studies at Philipps-Universität Marburg, Germany. His publications include (with Thomas Elsaesser) Film Theory. An Introduction through the Senses (Routledge 2010, 2nd revised edition 2015). He is the co-editor of Handbuch Filmanalyse (Wiesbaden: Springer 2020; with Volker Pantenburg) and the editor of The Emergence of Film Culture. Knowledge Production, Institution Building and the Fate of the Avant-garde in Europe, 1919-1945. London: Berghahn 2014. Yvonne Zimmermann is Professor of Media Studies at Philipps-University Marburg. Recent books include the co-authored Advertising and the Transformation of Screen Cultures (AUP 2021) and the co-edited Films That Work Harder: The Global Circulations of Industrial Cinema (AUP 2023). She is the editor of a special issue on Asta Nielsen, the film star system and the introduction of the long feature film in Early Popular Visual Culture (2021).
Introduction
Malte Hagener and Yvonne Zimmermann: Unpacking Film History's Own Histories: An Archaeology of Film Historiography
Models of Film Historiography - Philosophy and Time
Thomas Elsaesser: The Aporias of Cinema History
Jane M. Gaines: What Next?: The Historical Time Theory of Film History
Nicholas Baer: Relativist Perspectivism: Caligari and the Crisis of Historicism
Heide Schlüpmann: The Discovery of Early Cinema: The Moment of Silence
Film History in the Making: Processes and Agendas
Francesco Pitassio: Consistency
Explosion and the Writing of Film History: On Different Ways to Approach Film History at Different Times
Masha Salazkina: Defeats that Were Almost Victories: Jay Leyda's (Soviet) Archives
Benoît Turquety: A Filmmaker's Film Histories: Adjacency Historiography and the Art of the Anthology
Yvonne Zimmermann: Hans Richter and the Struggle for the Film History
Re-Visiting Film History: Institutions
Knowledge and Circulation
Firat Oruc: Historicizing Gulf Moving Image Archives
Charles R. Acland: Lost Revolution: British Cultural Studies in Film History
Arvind Rajagopal: The Eclipse of Secular Realism: Notes on the Documentary Film from post-Cold War India
Michael Cowan: What Was a Film Society? Towards a New Archaeology of Screen Communities
Re-Writing Film History with Images: Audiovisual Forms of Historiography
Volker Pantenburg: A Televisual Cinémathèque: Film Histories on West-German Television
Eleftheria Thanouli: The History of Film on Film: Some Thoughts on Reflexive Documentaries
Chiara Grizzaffi: Audiovisual Film Histories for the Digital Age: From Found Footage Cinema to Online Videographic Criticism
Into the Digital: New Approaches and Revisions
Franziska Heller: Future Pasts within the Dynamics of the Digital Present. Digitised Films and the Clusters of Media Historiographic Experience
Alexandra Schneider and Vinzenz Hediger: Tipping the Scales of Film History. A Note on Scalability and Film Historiography
Sarah-Mai Dang: Representing the Unknown: A Critical Approach to Digital Data Visualisations in the Context of Feminist Film Historiography
Select Bibliography
Contributors
Index.
Malte Hagener and Yvonne Zimmermann: Unpacking Film History's Own Histories: An Archaeology of Film Historiography
Models of Film Historiography - Philosophy and Time
Thomas Elsaesser: The Aporias of Cinema History
Jane M. Gaines: What Next?: The Historical Time Theory of Film History
Nicholas Baer: Relativist Perspectivism: Caligari and the Crisis of Historicism
Heide Schlüpmann: The Discovery of Early Cinema: The Moment of Silence
Film History in the Making: Processes and Agendas
Francesco Pitassio: Consistency
Explosion and the Writing of Film History: On Different Ways to Approach Film History at Different Times
Masha Salazkina: Defeats that Were Almost Victories: Jay Leyda's (Soviet) Archives
Benoît Turquety: A Filmmaker's Film Histories: Adjacency Historiography and the Art of the Anthology
Yvonne Zimmermann: Hans Richter and the Struggle for the Film History
Re-Visiting Film History: Institutions
Knowledge and Circulation
Firat Oruc: Historicizing Gulf Moving Image Archives
Charles R. Acland: Lost Revolution: British Cultural Studies in Film History
Arvind Rajagopal: The Eclipse of Secular Realism: Notes on the Documentary Film from post-Cold War India
Michael Cowan: What Was a Film Society? Towards a New Archaeology of Screen Communities
Re-Writing Film History with Images: Audiovisual Forms of Historiography
Volker Pantenburg: A Televisual Cinémathèque: Film Histories on West-German Television
Eleftheria Thanouli: The History of Film on Film: Some Thoughts on Reflexive Documentaries
Chiara Grizzaffi: Audiovisual Film Histories for the Digital Age: From Found Footage Cinema to Online Videographic Criticism
Into the Digital: New Approaches and Revisions
Franziska Heller: Future Pasts within the Dynamics of the Digital Present. Digitised Films and the Clusters of Media Historiographic Experience
Alexandra Schneider and Vinzenz Hediger: Tipping the Scales of Film History. A Note on Scalability and Film Historiography
Sarah-Mai Dang: Representing the Unknown: A Critical Approach to Digital Data Visualisations in the Context of Feminist Film Historiography
Select Bibliography
Contributors
Index.
Introduction
Malte Hagener and Yvonne Zimmermann: Unpacking Film History's Own Histories: An Archaeology of Film Historiography
Models of Film Historiography - Philosophy and Time
Thomas Elsaesser: The Aporias of Cinema History
Jane M. Gaines: What Next?: The Historical Time Theory of Film History
Nicholas Baer: Relativist Perspectivism: Caligari and the Crisis of Historicism
Heide Schlüpmann: The Discovery of Early Cinema: The Moment of Silence
Film History in the Making: Processes and Agendas
Francesco Pitassio: Consistency
Explosion and the Writing of Film History: On Different Ways to Approach Film History at Different Times
Masha Salazkina: Defeats that Were Almost Victories: Jay Leyda's (Soviet) Archives
Benoît Turquety: A Filmmaker's Film Histories: Adjacency Historiography and the Art of the Anthology
Yvonne Zimmermann: Hans Richter and the Struggle for the Film History
Re-Visiting Film History: Institutions
Knowledge and Circulation
Firat Oruc: Historicizing Gulf Moving Image Archives
Charles R. Acland: Lost Revolution: British Cultural Studies in Film History
Arvind Rajagopal: The Eclipse of Secular Realism: Notes on the Documentary Film from post-Cold War India
Michael Cowan: What Was a Film Society? Towards a New Archaeology of Screen Communities
Re-Writing Film History with Images: Audiovisual Forms of Historiography
Volker Pantenburg: A Televisual Cinémathèque: Film Histories on West-German Television
Eleftheria Thanouli: The History of Film on Film: Some Thoughts on Reflexive Documentaries
Chiara Grizzaffi: Audiovisual Film Histories for the Digital Age: From Found Footage Cinema to Online Videographic Criticism
Into the Digital: New Approaches and Revisions
Franziska Heller: Future Pasts within the Dynamics of the Digital Present. Digitised Films and the Clusters of Media Historiographic Experience
Alexandra Schneider and Vinzenz Hediger: Tipping the Scales of Film History. A Note on Scalability and Film Historiography
Sarah-Mai Dang: Representing the Unknown: A Critical Approach to Digital Data Visualisations in the Context of Feminist Film Historiography
Select Bibliography
Contributors
Index.
Malte Hagener and Yvonne Zimmermann: Unpacking Film History's Own Histories: An Archaeology of Film Historiography
Models of Film Historiography - Philosophy and Time
Thomas Elsaesser: The Aporias of Cinema History
Jane M. Gaines: What Next?: The Historical Time Theory of Film History
Nicholas Baer: Relativist Perspectivism: Caligari and the Crisis of Historicism
Heide Schlüpmann: The Discovery of Early Cinema: The Moment of Silence
Film History in the Making: Processes and Agendas
Francesco Pitassio: Consistency
Explosion and the Writing of Film History: On Different Ways to Approach Film History at Different Times
Masha Salazkina: Defeats that Were Almost Victories: Jay Leyda's (Soviet) Archives
Benoît Turquety: A Filmmaker's Film Histories: Adjacency Historiography and the Art of the Anthology
Yvonne Zimmermann: Hans Richter and the Struggle for the Film History
Re-Visiting Film History: Institutions
Knowledge and Circulation
Firat Oruc: Historicizing Gulf Moving Image Archives
Charles R. Acland: Lost Revolution: British Cultural Studies in Film History
Arvind Rajagopal: The Eclipse of Secular Realism: Notes on the Documentary Film from post-Cold War India
Michael Cowan: What Was a Film Society? Towards a New Archaeology of Screen Communities
Re-Writing Film History with Images: Audiovisual Forms of Historiography
Volker Pantenburg: A Televisual Cinémathèque: Film Histories on West-German Television
Eleftheria Thanouli: The History of Film on Film: Some Thoughts on Reflexive Documentaries
Chiara Grizzaffi: Audiovisual Film Histories for the Digital Age: From Found Footage Cinema to Online Videographic Criticism
Into the Digital: New Approaches and Revisions
Franziska Heller: Future Pasts within the Dynamics of the Digital Present. Digitised Films and the Clusters of Media Historiographic Experience
Alexandra Schneider and Vinzenz Hediger: Tipping the Scales of Film History. A Note on Scalability and Film Historiography
Sarah-Mai Dang: Representing the Unknown: A Critical Approach to Digital Data Visualisations in the Context of Feminist Film Historiography
Select Bibliography
Contributors
Index.







