Ganaele Langlois is Associate Professor in the Department of Communication and Media Studies at York University, Canada.
Inhaltsangabe
Introduction: Textile as Communication Winding Back Textile as a Medium Textile Making as Mediating Textile Making and Power Decolonizing Media and Communication Book Overview Part 1: Communicative Power 1. Unraveling Textile from Commodity to Communication A Plural Medium Textile as Communication Medium: Historical Pointers Two Common Understandings of Communication through Textile: as Representation and Information Towards a Third Aspect: textile as binding worlds through space and time Global Textile, or Communication as Expressive Power Textile, a Medium of Struggle 2. Quechua Textility Pre-Columbian Textiles: Media and Power Indigenous Identities in Contemporary Peru The Revival of Quechua Textiles Confronting Appropriation Part 2: Technology and Imagination 3. Jacquard and the Creativity of Extensions The Jacquard Mechanism, Automation and Digital Media Weaving Digital Images Weaving as Extension 4. Communicating Across the Abyss Of the Meanings, Symbols and Patterns in Diasporic Textile Mathematics, Rhythms and Signs The Values of Making Part 3: Transformative Entanglements 5. Reweaving the Interface Domestic Textiles and Power Marking Subjects Reading through the Lines: The Evanescent Maker Portable Technologies of Making "Where Am I going?": Creative Meandering 6. Kené, or the Promise of Unknowing Shipibo-Conibo Textiles and Perspectival Anthropology Kené in the Global Market Delineating the Space of Unknowing and Potentials Back to the Basics Part 4: Cosmomedia 7. Cosmomedia - the Tale of Two Indigos Cosmotechnics and Ecosophical Media Combinations and Recombinations: Indigo dyeing and the making of worlds Colonizing Indigo Indigo and Collectives of Humans and Non-Humans Japanese Indigo and Natural Dyes as Cosmomedia Conclusion: The Shape of Things to Come
Introduction: Textile as Communication Winding Back Textile as a Medium Textile Making as Mediating Textile Making and Power Decolonizing Media and Communication Book Overview Part 1: Communicative Power 1. Unraveling Textile from Commodity to Communication A Plural Medium Textile as Communication Medium: Historical Pointers Two Common Understandings of Communication through Textile: as Representation and Information Towards a Third Aspect: textile as binding worlds through space and time Global Textile, or Communication as Expressive Power Textile, a Medium of Struggle 2. Quechua Textility Pre-Columbian Textiles: Media and Power Indigenous Identities in Contemporary Peru The Revival of Quechua Textiles Confronting Appropriation Part 2: Technology and Imagination 3. Jacquard and the Creativity of Extensions The Jacquard Mechanism, Automation and Digital Media Weaving Digital Images Weaving as Extension 4. Communicating Across the Abyss Of the Meanings, Symbols and Patterns in Diasporic Textile Mathematics, Rhythms and Signs The Values of Making Part 3: Transformative Entanglements 5. Reweaving the Interface Domestic Textiles and Power Marking Subjects Reading through the Lines: The Evanescent Maker Portable Technologies of Making "Where Am I going?": Creative Meandering 6. Kené, or the Promise of Unknowing Shipibo-Conibo Textiles and Perspectival Anthropology Kené in the Global Market Delineating the Space of Unknowing and Potentials Back to the Basics Part 4: Cosmomedia 7. Cosmomedia - the Tale of Two Indigos Cosmotechnics and Ecosophical Media Combinations and Recombinations: Indigo dyeing and the making of worlds Colonizing Indigo Indigo and Collectives of Humans and Non-Humans Japanese Indigo and Natural Dyes as Cosmomedia Conclusion: The Shape of Things to Come
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