How to Read Paintings is a valuable visual guide to Western European painting. Through a gallery of artworks accompanied by informative commentary, it enables readers to swiftly develop their understanding of the grammar and vocabulary of painting, and to discover how to look at diverse paintings in detail, closely reading their meanings and methods. In the first part of the book, the Grammar of Paintings, the author reveals how to read paintings by considering five key areas: shape and support, medium and materials, composition, style and technique, and signs and symbols, as well as the…mehr
How to Read Paintings is a valuable visual guide to Western European painting. Through a gallery of artworks accompanied by informative commentary, it enables readers to swiftly develop their understanding of the grammar and vocabulary of painting, and to discover how to look at diverse paintings in detail, closely reading their meanings and methods.
In the first part of the book, the Grammar of Paintings, the author reveals how to read paintings by considering five key areas: shape and support, medium and materials, composition, style and technique, and signs and symbols, as well as the role of the artist. In the second part, we explore fifty paintings through extracted details, accompanied by insightful commentary, training the reader and viewer to understand context and discover meaning within art.
As a collection, the pictures featured in How to Read Paintings have a strong relationship with one another, and underpin the story of painting. This book will be a valuable tool whether you are viewing the real thing on a gallery wall, or simply reading around the subject to learn more about Western art.
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Autorenporträt
Rideal, Liz Liz Rideal is an artist and writer. She a Reader in Fine Art in the Painting Department at the Slade School of Fine Art, University College London, UK, and a lecturer and educational resource writer at the National Portrait Gallery, London. She has exhibited widely in Europe and the USA, including two major retrospectives. Her own artwork is held in public collections including the Tate, the Victoria and Albert Museum, the British Museum, Yale Center for British Art, the Portland Art Museum and George Eastman House. She is the author of Mirror Mirror: Self-Portraits by Women Artists (2001) and Insights: Self-Portraits (2005).
Inhaltsangabe
Introduction
Part 1: Grammar of Paintings Shape and Support Medium and Materials Composition Style and Technique Signs and Symbols The Artist
Part 2: Paintings in Detail Portrait Landscape Narrative Still Life Abstraction
Appendices Glossary Directory of Paintings Directory of Galleries
