Hybrid Novels answers long-gestating questions in Contemporary Literary Studies about how to define post-postmodernism. It suggests that hybridity is the solution to this problem. It negotiates a balance between postmodern irony and post-postmodern sincerity, which existing studies have more often placed in opposition.
Hybrid Novels answers long-gestating questions in Contemporary Literary Studies about how to define post-postmodernism. It suggests that hybridity is the solution to this problem. It negotiates a balance between postmodern irony and post-postmodern sincerity, which existing studies have more often placed in opposition.
George Kowalik is a writer and researcher based in London, UK. He has a PhD in contemporary transatlantic literature from King's College London and currently teaches at Glasgow Caledonian University. His research has appeared widely, with work published or forthcoming in academic journals including ASAP, Humanities, Journal of American Studies, The Journal of David Foster Wallace Studies, and Orbit: A Journal of American Literature. George's interviews with prize-winning authors, including Percival Everett and Brandon Taylor, have also been published. His short stories and writing on contemporary cinema, literature, music, and television have appeared in various outlets in print and online.
Inhaltsangabe
Acknowledgements Introduction: Post-postmodernism and the Year 2000 1. Erasure's Paradoxes: The Post-postmodern and the Postracial 2. The Corrections and the Market Logics of Post-postmodernism 3. Association and Organisation in White Teeth 4. Infinite Jest's Endnotes Coda: Autofiction in the 2010s Works Cited Index
Acknowledgements Introduction: Post-postmodernism and the Year 2000 1. Erasure's Paradoxes: The Post-postmodern and the Postracial 2. The Corrections and the Market Logics of Post-postmodernism 3. Association and Organisation in White Teeth 4. Infinite Jest's Endnotes Coda: Autofiction in the 2010s Works Cited Index
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