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This book explores the ideas of key thinkers and media practitioners who have examined images and icons of war and terror.
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This book explores the ideas of key thinkers and media practitioners who have examined images and icons of war and terror.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 234
- Erscheinungstermin: 19. Juni 2012
- Englisch
- Abmessung: 240mm x 161mm x 17mm
- Gewicht: 520g
- ISBN-13: 9780415698047
- ISBN-10: 0415698049
- Artikelnr.: 33868852
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Routledge
- Seitenzahl: 234
- Erscheinungstermin: 19. Juni 2012
- Englisch
- Abmessung: 240mm x 161mm x 17mm
- Gewicht: 520g
- ISBN-13: 9780415698047
- ISBN-10: 0415698049
- Artikelnr.: 33868852
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
John Tulloch is Professor of Communication, University of Newcastle, Australia. He is the author of 18 books in media and television studies, film history and theory, literary and theatre studies, and the sociology of risk. His books include the widely cited Risk and Everyday Life (with Deborah Lupton, Routledge, 2003) and monographs on Doctor Who (1984), A Country Practice (1986) and Trevor Griffiths (2007). R. Warwick Blood is Professor of Communication, Faculty of Arts and Design, University of Canberra, Australia. Previously, he was a reporter, foreign correspondent and producer for the Australian Broadcasting Corporation. He has published on risk, and news reporting and portrayal of health issues.
Introduction Image: Nedia 1. Guernica: Icon of State Terror Image: Simon
Schama and Guernica 2. Ways of Seeing the Napalmed Girl: Icons of Agony and
Beauty Image: The Napalmed Girl 3.Two Bangladeshi Boys and Public Culture:
Iconic or Absent Images: Two Boys in Bangladesh; the Shamed One 4. 'The
Gulf War Did Not Take Place': Smart-Weapon Imaging Images: Carnage at
Amiryah Shelter 5. Picturing Kosovo: Virtual, New or Old War? Image: The
Serbian massacre of Kosovar Albanian villagers at Racak. 6.'Change
Everything'? Icons out of a Clear Blue Sky Images: the second of the Twin
Towers attacked by a plane on 9/11 7. Shock Doctrine in Iraq: the 'Marlboro
Marine' and 'Shock and Awe' Images: 'Shock and Awe'; the Marlboro Marine
8. Abu Ghraib, Regimes of Looking and Risk: Icons, Index and Symbol
Images: Abu Ghraib - the hooded man 9. Witnessing Terrorism in New York and
London: Trauma Icons Images: the 'Falling Man'; iconic image of John
Tulloch after the 7/7 terrorist attack 10. Culture Warriors: Images of the
Colonial, Then and Now Image: Julie Dowling's 'Walyer' Conclusion: Walls
and Borders
Schama and Guernica 2. Ways of Seeing the Napalmed Girl: Icons of Agony and
Beauty Image: The Napalmed Girl 3.Two Bangladeshi Boys and Public Culture:
Iconic or Absent Images: Two Boys in Bangladesh; the Shamed One 4. 'The
Gulf War Did Not Take Place': Smart-Weapon Imaging Images: Carnage at
Amiryah Shelter 5. Picturing Kosovo: Virtual, New or Old War? Image: The
Serbian massacre of Kosovar Albanian villagers at Racak. 6.'Change
Everything'? Icons out of a Clear Blue Sky Images: the second of the Twin
Towers attacked by a plane on 9/11 7. Shock Doctrine in Iraq: the 'Marlboro
Marine' and 'Shock and Awe' Images: 'Shock and Awe'; the Marlboro Marine
8. Abu Ghraib, Regimes of Looking and Risk: Icons, Index and Symbol
Images: Abu Ghraib - the hooded man 9. Witnessing Terrorism in New York and
London: Trauma Icons Images: the 'Falling Man'; iconic image of John
Tulloch after the 7/7 terrorist attack 10. Culture Warriors: Images of the
Colonial, Then and Now Image: Julie Dowling's 'Walyer' Conclusion: Walls
and Borders
Introduction Image: Nedia 1. Guernica: Icon of State Terror Image: Simon
Schama and Guernica 2. Ways of Seeing the Napalmed Girl: Icons of Agony and
Beauty Image: The Napalmed Girl 3.Two Bangladeshi Boys and Public Culture:
Iconic or Absent Images: Two Boys in Bangladesh; the Shamed One 4. 'The
Gulf War Did Not Take Place': Smart-Weapon Imaging Images: Carnage at
Amiryah Shelter 5. Picturing Kosovo: Virtual, New or Old War? Image: The
Serbian massacre of Kosovar Albanian villagers at Racak. 6.'Change
Everything'? Icons out of a Clear Blue Sky Images: the second of the Twin
Towers attacked by a plane on 9/11 7. Shock Doctrine in Iraq: the 'Marlboro
Marine' and 'Shock and Awe' Images: 'Shock and Awe'; the Marlboro Marine
8. Abu Ghraib, Regimes of Looking and Risk: Icons, Index and Symbol
Images: Abu Ghraib - the hooded man 9. Witnessing Terrorism in New York and
London: Trauma Icons Images: the 'Falling Man'; iconic image of John
Tulloch after the 7/7 terrorist attack 10. Culture Warriors: Images of the
Colonial, Then and Now Image: Julie Dowling's 'Walyer' Conclusion: Walls
and Borders
Schama and Guernica 2. Ways of Seeing the Napalmed Girl: Icons of Agony and
Beauty Image: The Napalmed Girl 3.Two Bangladeshi Boys and Public Culture:
Iconic or Absent Images: Two Boys in Bangladesh; the Shamed One 4. 'The
Gulf War Did Not Take Place': Smart-Weapon Imaging Images: Carnage at
Amiryah Shelter 5. Picturing Kosovo: Virtual, New or Old War? Image: The
Serbian massacre of Kosovar Albanian villagers at Racak. 6.'Change
Everything'? Icons out of a Clear Blue Sky Images: the second of the Twin
Towers attacked by a plane on 9/11 7. Shock Doctrine in Iraq: the 'Marlboro
Marine' and 'Shock and Awe' Images: 'Shock and Awe'; the Marlboro Marine
8. Abu Ghraib, Regimes of Looking and Risk: Icons, Index and Symbol
Images: Abu Ghraib - the hooded man 9. Witnessing Terrorism in New York and
London: Trauma Icons Images: the 'Falling Man'; iconic image of John
Tulloch after the 7/7 terrorist attack 10. Culture Warriors: Images of the
Colonial, Then and Now Image: Julie Dowling's 'Walyer' Conclusion: Walls
and Borders







