Il Fascino E L'amuleto Control Del Fascino Presso Gli Antichi - Arditi, Michele
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"Il Fascino E L'amuleto Control Del Fascino Presso Gli Antichi" by Michele Arditi explores the allure and protective power of amulets in ancient times, particularly focusing on archaeological findings in Pompeii. This work delves into the beliefs and practices surrounding charms and their perceived ability to ward off negative influences. The book includes an illustration of an ancient bas-relief discovered in a Pompeian oven, offering a visual representation of the era's fascination with these objects. Arditi's study provides valuable insights into the cultural and spiritual significance of…mehr

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"Il Fascino E L'amuleto Control Del Fascino Presso Gli Antichi" by Michele Arditi explores the allure and protective power of amulets in ancient times, particularly focusing on archaeological findings in Pompeii. This work delves into the beliefs and practices surrounding charms and their perceived ability to ward off negative influences. The book includes an illustration of an ancient bas-relief discovered in a Pompeian oven, offering a visual representation of the era's fascination with these objects. Arditi's study provides valuable insights into the cultural and spiritual significance of amulets in the ancient world. It is a rich resource for historians, archaeologists, and anyone interested in the occult practices and beliefs of past civilizations. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.