Originally published in 1892, this volume provides a general account of the various aspects of manuscript illumination from Classical times to the sixteenth century, when the invention of printing gradually began to put an end to the use of manuscripts. The text contains a historical sketch of the growth and development of various styles of manuscript illumination and the chief technical procedures involved, such as the highly labour-intensive process of applying gold leaf. Numerous illustrative examples are also provided. This is a beautifully presented book that will be of value to anyone with an interest in manuscripts and the history of art.…mehr
Originally published in 1892, this volume provides a general account of the various aspects of manuscript illumination from Classical times to the sixteenth century, when the invention of printing gradually began to put an end to the use of manuscripts. The text contains a historical sketch of the growth and development of various styles of manuscript illumination and the chief technical procedures involved, such as the highly labour-intensive process of applying gold leaf. Numerous illustrative examples are also provided. This is a beautifully presented book that will be of value to anyone with an interest in manuscripts and the history of art.
Preface and abbreviations List of illustrations 1. Classical manuscripts written with a stilus 2. Classical manuscripts written with a pen and ink 3. Classical illuminated manuscripts 4. Byzantine manuscripts 5. Manuscripts of the Carolingian period 6. The Celtic school of manuscripts 7. The Anglo-Saxon school of manuscripts 8. The Anglo-Norman school 9. French manuscripts 10. Printed books with painted illustrations 11. Illuminated manuscripts of the Teutonic school after the tenth century 12. The illuminated manuscripts of Italy and Spain 13. The writers of illuminated manuscripts 14. The materials and technical processes of the illuminator 15. The materials and technical processes of the illuminator (continued) 16. The bindings of manuscripts Appendix.
Preface and abbreviations List of illustrations 1. Classical manuscripts written with a stilus 2. Classical manuscripts written with a pen and ink 3. Classical illuminated manuscripts 4. Byzantine manuscripts 5. Manuscripts of the Carolingian period 6. The Celtic school of manuscripts 7. The Anglo-Saxon school of manuscripts 8. The Anglo-Norman school 9. French manuscripts 10. Printed books with painted illustrations 11. Illuminated manuscripts of the Teutonic school after the tenth century 12. The illuminated manuscripts of Italy and Spain 13. The writers of illuminated manuscripts 14. The materials and technical processes of the illuminator 15. The materials and technical processes of the illuminator (continued) 16. The bindings of manuscripts Appendix.
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