Comics and the punk movement are inextricably linked--each has a foundational do-it-yourself ethos and a nonconformist spirit defiant of authority. This collection of new essays provides for the first time a thorough analysis of the intersections between comics and punk. The contributors expand the discussion beyond the familiar U.S. and UK scenes to include the influence punk has had on comics produced in other countries, such as Spain and Turkey.
Comics and the punk movement are inextricably linked--each has a foundational do-it-yourself ethos and a nonconformist spirit defiant of authority. This collection of new essays provides for the first time a thorough analysis of the intersections between comics and punk. The contributors expand the discussion beyond the familiar U.S. and UK scenes to include the influence punk has had on comics produced in other countries, such as Spain and Turkey.
Christopher B. Field is an associate professor in the languages, literature, and philosophy department at Tennessee State University. His interests include contemporary, 20th-century and early American literature, and popular culture, rhetoric and composition. Keegan Lannon is an adjunct English instructor at Dominican University in River Forest, Illinois, and North Central College in Naperville, Illinois. He has published and presented on comics and narrative theory. Michael David MacBride has taught a variety of English, literature, and humanities courses at universities in and around the Midwest. He lives in Shakopee, Minnesota. Christopher C. Douglas is an instructor at the University of Alabama. His scholarly interests include the creation of commu.nity in fiction, non-human narration, and the history of the novel.
Inhaltsangabe
Table of Contents Acknowledgments Introduction Part I: Punk Superhero Comics One Man Artistic Corps: Jack Kirby's OMAC as Punk Precursor Christopher B. Field Captain America: All-American Punk Jill Dahlman Part II: Vertigo Punk Comics No Future: John Constantine, Hellblazer and the '70s Punk Rocker in the 21st Century Spencer Chalifour "I Hate It Here": Spider Jerusalem as Punk Anti-Hero Jodie Childers 24-Hour Murder People: The Punk Iconography in Grant Morrison's The Invisibles Keegan Lannon Anarchy at the Alamo: The Creation of a 21st Century American Punk-Western in Garth Ennis and Steve Dillon's Preacher Russell Weber Part III: Underground Punk Comics Aspiring Revolutionaries and "Petty" Conflicts: The Penis in the Punk Movement and Binky Brown Michael David MacBride Reinventing a Carnivalesque Public Sphere: (Re)imagining and (Re)drawing Madrid in the Long 1970s Louie Dean Valencia-García Drawing Istanbul's Asshole: Turkish Punk Comics Can Yalçinkaya Part IV: Punk Manga B s zoku Motorcycle Gangs, the Bubble Economy and Psychic Children: Reaffirming Giri Through tomo Katsuhiro's Akira (1988) Christopher C. Douglas Schoolgirls and Sukeban: Representations of Punk Women in Contemporary Japanese Manga Alice Vernon Punk Bodies and the "Do It Yourself" Philosophy Francesco-Alessio Ursini About the Contributors Index
Table of Contents Acknowledgments Introduction Part I: Punk Superhero Comics One Man Artistic Corps: Jack Kirby's OMAC as Punk Precursor Christopher B. Field Captain America: All-American Punk Jill Dahlman Part II: Vertigo Punk Comics No Future: John Constantine, Hellblazer and the '70s Punk Rocker in the 21st Century Spencer Chalifour "I Hate It Here": Spider Jerusalem as Punk Anti-Hero Jodie Childers 24-Hour Murder People: The Punk Iconography in Grant Morrison's The Invisibles Keegan Lannon Anarchy at the Alamo: The Creation of a 21st Century American Punk-Western in Garth Ennis and Steve Dillon's Preacher Russell Weber Part III: Underground Punk Comics Aspiring Revolutionaries and "Petty" Conflicts: The Penis in the Punk Movement and Binky Brown Michael David MacBride Reinventing a Carnivalesque Public Sphere: (Re)imagining and (Re)drawing Madrid in the Long 1970s Louie Dean Valencia-García Drawing Istanbul's Asshole: Turkish Punk Comics Can Yalçinkaya Part IV: Punk Manga B s zoku Motorcycle Gangs, the Bubble Economy and Psychic Children: Reaffirming Giri Through tomo Katsuhiro's Akira (1988) Christopher C. Douglas Schoolgirls and Sukeban: Representations of Punk Women in Contemporary Japanese Manga Alice Vernon Punk Bodies and the "Do It Yourself" Philosophy Francesco-Alessio Ursini About the Contributors Index
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