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Fitting the filmâ s inspiration, creation, and reception alongside its continuing afterlife, Tsika examines Dylanâ s music in the film through the context of intellectual property, raising questions about who owns artistic material and artistic identities and how such material can be reused and repurposed.

Produktbeschreibung
Fitting the filmâ s inspiration, creation, and reception alongside its continuing afterlife, Tsika examines Dylanâ s music in the film through the context of intellectual property, raising questions about who owns artistic material and artistic identities and how such material can be reused and repurposed.
Autorenporträt
Noah Tsika is a professor of media studies at Queens College, CUNY. He is the author of Cinematic Independence: Constructing the Big Screen in Nigeria, Screening the Police: Film and Law Enforcement in the United States, Pink 2.0: Encoding Queer Cinema on the Internet, and other books on film.