This book explores early medieval visual culture of northern and central Europe. Rejecting earlier theories on the origins and meaning of early medieval art, it shows how the transformation of Roman imperial images and highly ornamental material culture produced an aesthetic that bridged various ethnic and religious identities.
This book explores early medieval visual culture of northern and central Europe. Rejecting earlier theories on the origins and meaning of early medieval art, it shows how the transformation of Roman imperial images and highly ornamental material culture produced an aesthetic that bridged various ethnic and religious identities.
A scholar of medieval archaeology and art history, Matthias Friedrich teaches in the Department of Prehistoric and Historical Archaeology at the University of Vienna. He is the author of the award-winning Archäologische Chronologie und historische Interpretation (De Gruyter, 2016) and co-editor of the interdisciplinary volume Interrogating the 'Germanic' (De Gruyter, 2021).
Inhaltsangabe
I. Moving Beyond Dichotomies: 1. The great divide 2. The enduring power of images II. New Perspectives: 3. Art, archaeology, and agency 4. The bewilderment principle - ornament and surface.
I. Moving Beyond Dichotomies: 1. The great divide 2. The enduring power of images II. New Perspectives: 3. Art, archaeology, and agency 4. The bewilderment principle - ornament and surface.
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