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The essence of ancient views related to the image of a bird in oral and written literature, the basis of historical-mythological origin, the poetic and gradual interpretation of religious views related to birds in myth-ritual folklore-written literature, the principles of representation are determined; Poetic principles of the image of birds in oral and written literature, myth poetics, artistic expression tools, transformation within the creative style, artistic-aesthetic laws, principles of approach, functionality, manifestation of compositional tasks such as reflecting the psyche of the…mehr

Produktbeschreibung
The essence of ancient views related to the image of a bird in oral and written literature, the basis of historical-mythological origin, the poetic and gradual interpretation of religious views related to birds in myth-ritual folklore-written literature, the principles of representation are determined; Poetic principles of the image of birds in oral and written literature, myth poetics, artistic expression tools, transformation within the creative style, artistic-aesthetic laws, principles of approach, functionality, manifestation of compositional tasks such as reflecting the psyche of the hero, elucidating the idea of the work proven; in Uzbek fairy tales, the image of birds is poetically strange, in accordance with color, time, and space, the patron of the epic hero, and the possession of unusual abilities; It is classified as the common acquisition of negative characteristics such as a magical, unfunny, malicious, intimidating and disaster-causing opponent.
Autorenporträt
Jahangir KOMILJONOV - was born on July 23, 1997 in the city of Uychi, Namangan. More than 50 scientific articles of the scientist have been published in scientific publications. Currently, a teacher of Uzbek language and literature at the Department of Languages, Namangan branch of the Tashkent International University of Chemistry.