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Images at War is a much-needed study of this early news medium and its part in the construction of nationalism in the midst of war.
Images at War is a much-needed study of this early news medium and its part in the construction of nationalism in the midst of war.
Produktdetails
- Produktdetails
- Verlag: University of Toronto Press
- Erscheinungstermin: 26. Oktober 2023
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 463g
- ISBN-13: 9781487558703
- ISBN-10: 1487558708
- Artikelnr.: 69308291
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: University of Toronto Press
- Erscheinungstermin: 26. Oktober 2023
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 463g
- ISBN-13: 9781487558703
- ISBN-10: 1487558708
- Artikelnr.: 69308291
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Michèle Martin is a professor in the School of Journalism and Communication at Carleton University.
List of Illustrations
Acknowledgments
Introduction: The Eyes of the Readers
1. The Illustrated Press in Its Sociopolitical Context
o The Transformation of the Nineteenth-Century Press
o The Franco-Prussian War in Context
o Making Choices
2. The Production of Illustrations in Content
o The Politics of Visual Representation
o Producing Illustrated Newspapers
o Contextualizing Production of Illustrations
3. Making History
o Illustrating War
o Technical Means and the Discrepancy of Circulationbetween
Images and Texts
o Making Stories?
4. Feeding Memories
o Choosing What to Remember
o The Illustrated Periodicals Analyse the War
o A Post-Mortem of Some Participants
o Post-War Effects
o Makers of National Memories
5. Preparing for War Coverage
o Taking Positions
o Breaking the News: A Franco-Prussian War Is On!
o Ruptures
o Food for Thought
6. Managing the Unexpected, Boosting National Feelings
o Political Ruptures
o Periodical Ruptures
o Front and Back Pages
o Elements of Comparison
Conclusion: Constructing Memories
1.
* Ways of Seeing the War
* Images versus Texts
* Mediated Content
* Launching a Process of Memorization
Notes
Illustration Credits
Index
Acknowledgments
Introduction: The Eyes of the Readers
1. The Illustrated Press in Its Sociopolitical Context
o The Transformation of the Nineteenth-Century Press
o The Franco-Prussian War in Context
o Making Choices
2. The Production of Illustrations in Content
o The Politics of Visual Representation
o Producing Illustrated Newspapers
o Contextualizing Production of Illustrations
3. Making History
o Illustrating War
o Technical Means and the Discrepancy of Circulationbetween
Images and Texts
o Making Stories?
4. Feeding Memories
o Choosing What to Remember
o The Illustrated Periodicals Analyse the War
o A Post-Mortem of Some Participants
o Post-War Effects
o Makers of National Memories
5. Preparing for War Coverage
o Taking Positions
o Breaking the News: A Franco-Prussian War Is On!
o Ruptures
o Food for Thought
6. Managing the Unexpected, Boosting National Feelings
o Political Ruptures
o Periodical Ruptures
o Front and Back Pages
o Elements of Comparison
Conclusion: Constructing Memories
1.
* Ways of Seeing the War
* Images versus Texts
* Mediated Content
* Launching a Process of Memorization
Notes
Illustration Credits
Index
List of Illustrations
Acknowledgments
Introduction: The Eyes of the Readers
1. The Illustrated Press in Its Sociopolitical Context
o The Transformation of the Nineteenth-Century Press
o The Franco-Prussian War in Context
o Making Choices
2. The Production of Illustrations in Content
o The Politics of Visual Representation
o Producing Illustrated Newspapers
o Contextualizing Production of Illustrations
3. Making History
o Illustrating War
o Technical Means and the Discrepancy of Circulationbetween
Images and Texts
o Making Stories?
4. Feeding Memories
o Choosing What to Remember
o The Illustrated Periodicals Analyse the War
o A Post-Mortem of Some Participants
o Post-War Effects
o Makers of National Memories
5. Preparing for War Coverage
o Taking Positions
o Breaking the News: A Franco-Prussian War Is On!
o Ruptures
o Food for Thought
6. Managing the Unexpected, Boosting National Feelings
o Political Ruptures
o Periodical Ruptures
o Front and Back Pages
o Elements of Comparison
Conclusion: Constructing Memories
1.
* Ways of Seeing the War
* Images versus Texts
* Mediated Content
* Launching a Process of Memorization
Notes
Illustration Credits
Index
Acknowledgments
Introduction: The Eyes of the Readers
1. The Illustrated Press in Its Sociopolitical Context
o The Transformation of the Nineteenth-Century Press
o The Franco-Prussian War in Context
o Making Choices
2. The Production of Illustrations in Content
o The Politics of Visual Representation
o Producing Illustrated Newspapers
o Contextualizing Production of Illustrations
3. Making History
o Illustrating War
o Technical Means and the Discrepancy of Circulationbetween
Images and Texts
o Making Stories?
4. Feeding Memories
o Choosing What to Remember
o The Illustrated Periodicals Analyse the War
o A Post-Mortem of Some Participants
o Post-War Effects
o Makers of National Memories
5. Preparing for War Coverage
o Taking Positions
o Breaking the News: A Franco-Prussian War Is On!
o Ruptures
o Food for Thought
6. Managing the Unexpected, Boosting National Feelings
o Political Ruptures
o Periodical Ruptures
o Front and Back Pages
o Elements of Comparison
Conclusion: Constructing Memories
1.
* Ways of Seeing the War
* Images versus Texts
* Mediated Content
* Launching a Process of Memorization
Notes
Illustration Credits
Index
